Fred MacMurray & Carole Lombard Skeet Shooting Between Takes
More Deadly Than The Male!
Carole Lombard, blonde screen star, killed two kinds of birds with one gun in this skeet shooting match against Fred MacMurray and writer Claude Binyou while on location with Paramount’s “True Confession” company at Lake Arrowhead. Not only did Carole blast the clay pigeons with unerring accuracy. She also bagged two masculine egos, thoroughly puncturing the pretensions of MacMurray (waiting to shoot) and Binyou (operating the trap) to superior marksmanship. photo: Tom Evans for Paramount 1937
Among the many things that drew Clark Gable to Carole Lombard was that she was one of the guys. Lombard was also a favorite among studio stagehands and technicians.
In Gable & Lombard & Powell & Harlow, 1975 (Dell) by Joe Morella and Edward Z. Epstein the following story illustrates the sort of loyalty that made Lombard so appealing. Continue reading →
Cary Grant and Queenie Smith Attend The Emanuel Cohen Banquet Screen Folk Fete Studio Head
Hollywood, Calif.: When a testimonial dinner honoring Emanuel Cohen, studio head, was given last night, all of filmdom turned out in their finest. Among the many stars present at the gala affair, were Queenie Smith, motion picture actress, accompanied by Cary Grant, handsome screen lover and estranged husband of Virginia Cherrill, beautiful motion picture actress. Hollywood wonders if this is a new romance. Credit photo: Wide World Photos 10/13/1934
For Cary Grant and Queenie Smith there was no romance. The publicity agents at Paramount made sure Grant escorted women to various Hollywood events. At the time Grant lived with actor Randolph Scott, an arrangement that lasted until the early 1940s. Cary wed heiress Barbara Hutton in 1942.
But, who was Emanuel Cohen?
Paramount Pictures, Emanuel Cohen on the set of a film
Cohen is one of the forgotten behind the scene power brokers of the 1930s film world. As vice president in charge of production at Paramount Studios, Emanuel Cohen (1892-1977) was largely responsible for keeping Paramount afloat during the Great Depression. In the early 1930s the studio was essentially bankrupt. Continue reading →