Greer Garson – Acting Talent Does Not Equate To Being A Good Talk Show Guest
Greer Garson (1904-1996) was a fine and talented actress. Anyone seeing her deeply moving performances in Goodbye Mr. Chips or Mrs. Miniver can attest to that.
Garson won the Academy Award for her portrayal as the title character in Mrs. Miniver. Six additional Academy Award nominations for Best Actress in a Leading Role affirm that her colleagues appreciated Garson’s acting skills.
But according to Craig Tennis, a former talent coordinator of The Tonight Show with Johnny Carson from 1968-1976, Greer Garson was not great when it came to spontaneity. Continue reading →
Barbara Stanwyck Thanks “Golden Boy” For Her Honorary Oscar 1982
In a six decade career Barbara Stanwyck (1907-1990) received four Academy Award nominations for Best Actress in a leading role. The films were Stella Dallas (1937); Ball of Fire (1941); Double Indemnity (1944) and Sorry, Wrong Number (1948). She did not win for any of these great performances in fine pictures.
Stanwyck and William Holden starred together in the 1939 film Golden Boy. It was Holden’s first starring role. And he was almost fired. But Barbara Stanwyck insisted Holden stay on the film. The two became lifelong friends.
At the April 3, 1978 Academy Awards presentation, William Holden and Barbara Stanwyck were reunited as co-presenters for the award for best sound.
This was the era before everyone handing out awards had every word scripted for them and was littered with politically correct, back-slapping fake accolades and bad jokes. What happened next was completely genuine, unrehearsed and quite touching as you will see by Stanwyck’s reaction.
Finally four years later on March 29, 1982, the Academy recognized Stanwyck with an honorary Oscar for “superlative creativity and unique contribution to the art of screen acting.”Continue reading →
Marilyn Monroe’s First Public Appearance In Hollywood After Her Marriage To Joe DiMaggio – 1954
Hollywood – March 9 – Marilyn Wows Movie Crowd – Marilyn Monroe made her first public appearance in Hollywood last night since her marriage to Joe DiMaggio and her trip to Japan and Korea, and promptly stole the show. She showed up with a new platinum-blonde hairdo and wearing a low-cut white satin sheath gown. The occasion was Photoplay magazine’s annual awards dinner at which she and Alan Ladd, with whom she’s pictured, were named Hollywood’s most popular actress and actor. (AP wirephoto 1954)
Marilyn Monroe and Alan Ladd may have been Hollywood’s most popular actress and actor, yet neither was ever nominated for an Academy Award. Continue reading →
Once upon a time there were seven television channels to choose from in New York City. Before 1977 and the wide introduction of cable television every kid experienced the same TV shows and could talk about them with their peers.
Gilligan’s Island; I Dream of Jeannie; Mr. Ed; F-Troop; Green Acres; Bonanza, Star Trek, Family Affair; I Love Lucy; Batman; The Brady Bunch and so on. If it was being rebroadcast after school in syndication we saw it. That means kids also had little to choose from. Which means kids watched many bad TV shows. And that’s why I saw Hazel.
Hazel was one of the most annoying television series from the 1960s.
Gladys Cooper, The Beautiful Actress With Amazing Hair – circa 1910
If there was a Hall-of Fame for best hair, Gladys Cooper would be a member.
British theatre and screen star Gladys Cooper (1888 – 1971) made her stage debut in 1905. As you can see she photographed exquisitely and was constantly in demand as a model. From about 1905 through the 1920s postcard manufacturers churned out hundreds of different images of the popular actress.
Gladys Cooper, Robert Redford – Twilight Zone
Gladys had a 70 year career as an actress, though most people would not recognize her name or face today. If they did know her, it would probably be because of a memorable 1962 Twilight Zone television episode in which she plays an old woman who fears death, co-starring a very young Robert Redford.
Modern movie and television audiences would never have realized Gladys was once absolutely gorgeous .
In 1914, when asked by a newspaper columnist who was the most beautiful star on the London stage, fellow actress Ethel Levey replied, “It depends upon the type. As to the blond type I should say Gladys Cooper. She is as beautiful a woman I have ever seen.”
Sari Petrass, a famous Austrian actress appearing at the time in The Marriage Market agreed with Levey about Gladys’s looks and said, “She is the most beautiful woman I have ever met. And you have some very beautiful women in London.’
Cary Grant Never Won An Academy Award For Best Actor
The Academy Awards were held February 26, 2017. Millions of people watched. Millions more did not. The Oscars have been declining in TV viewership steadily over the years. It’s true that there are more choices to divert your entertainment time. But could it be that today’s stars don’t measure up to the stars of yesteryear and many people like myself could care less about the Academy Awards?
There are movie stars and then there are Movie Stars. Cary Grant was a Movie Star. Women fantasized about being with him and men wanted to be him.
In 1952 Cary Grant starred with Ginger Rogers (seen above) in Monkey Business, a zany comedy about a scientist (Grant) discovering a potion that when consumed will make you young again. An escaped chimpanzee is responsible for concocting the “successful” potion. The film also had Marilyn Monroe playing a sexy secretary. Monkey Business was made right before Marilyn’s breakthrough film Niagara.
4/7/70 Hollywood – As singer Frank Sinatra claps for him, actor Cary Grant holds his hands as he accepts a special achievement award at the 42nd annual Academy award presentation at the Music Center. The Board of Governors of the Academy voted the special award for Grant. photo: UPI Telephoto
Cary Grant was nominated only twice for Best Actor in a leading role; Penny Serenade (1941) and None But The Lonely Heart (1944), neither of which are among his best films. Continue reading →
Time To Put A Stop To Hollywood’s Casting Bias – Microcephalics Insultingly called “Pinheads” Get The Shaft in Oscar Process
Everyone is now aware that for the 2016 Academy Awards no African-Americans were nominated for Academy Awards in the major acting categories. This has led to some people calling out the racist members of the Academy saying they will boycott the Oscars and things “have to change.”
But there are so many groups not represented with nominations. If we’re going to go through with this diversity campaign let’s go full tilt.
In this country where we strive for equality the question arises – is it fair to single out the omission of only African Americans?
There is one group of entertainers that has been far more glaringly ignored in the Oscar process since the Academy’s founding, and yet no one is standing up for them.
Microcephalic actors have not been recognized by the Academy – ever. Disparagingly called “pinheads” by sideshow aficionados, these people have been thoroughly neglected by the Hollywood elite and the Academy.
Schlitzie in Tod Browning’s Freaks
Director Tod Browning was the only filmmaker brave enough to break the stigma of using people with microcephaly prominently in a film with his 1932 classic Freaks.
Since then, I know of no film that has featured a microcephalic actor with any prominent role. Therefore there have been no microcephalic actors nominated for an Academy Award.
True, Dan Akroyd and Jane Curtin starred in 1993’s The Coneheads, but they were only actors who looked like people with microcephaly and they were not nominated for anything either.
How can we let this obvious oversight and discrimination continue? When will we see a fair representation of this unrecognized group of people?
Beetlejuice – An Academy Award winner if given the chance?
Besides Beetlejuice from the Howard Stern Show and Patrick from Spongebob Square Pants, where are microcephalics being represented in entertainment? Continue reading →
During Hollywood’s golden years from the 1930s through the early 1950s there were many films set in New York City, but the vast majority were made on the studio lots in southern California. Almost every studio had their own New York set which would convey “the Big Apple.”
The reasons for doing so were obvious; the costs of actually sending the cast and crew on location to film would be cost prohibitive and complete control could be exercised in the studio for crowd control, noise, lighting and other technical issues.
Occasionally films would use stock footage of New York or a second unit directing team would be sent to capture a New York scene or two to be used as establishing shots showing the audience, yes this is New York. Usually though none of the principal characters in the film were ever actually in New York, but back in Hollywood, playing against what is called a “process shot” a background screen showing New York footage usually while the actors were walking or driving.
So when the cast and crew actually did any filming in New York it was a rare treat, especially looking back today at the much changed metropolis.
Here are ten of the best 1940s films where a part of the movie was actually filmed on location in New York City.
Saboteur (1942) This cross-sountry chase of one man falsely accused of sabotage pursuing the real saboteur winds up in New York. Director Alfred Hitchcock had his second unit shoot footage in the city that shows New York in the midst of World War II. We see Rockefeller Center, Radio City Music Hall, the waterfront and other familiar city sights. A masterpiece of storytelling the film moves at a smooth pace as you bite your nails watching. Spoiler alert: Sinister character actor Norman Lloyd battles hero Robert Cummings on Bedloe’s Island at The Statue of Liberty in one of the most iconic conclusions to a film ever shot.
The Lost Weekend (1945) Director Billy Wilder takes advantage of New York, shooting many of the exteriors of The Lost Weekend on location. Ray Milland’s portrayal of troubled, alcoholic writer Don Birnam won him an Academy Award for best actor. The film also won Oscars for best picture, best director and best screenplay. There are so many shots of Milland in the city it becomes a game to recognize where the actual locations are. Third Avenue is prominently put on display. The giant street clock Milland passes in one scene is still there today – located on Third Avenue between 84th and 85th Streets. All the mom and pop stores and restaurants along the way are long gone, replaced mostly by chains. P.J Clarke’s on Third Avenue and 55th Street was used in the shooting but many of the interior scenes of the bar were shot back in Hollywood. Continue reading →
After graduating college Corman was working on the fringes of advertising and with the encouragement of a friend, Herb Gardner (A Thousand Clowns; I’m Not Rappaport; etc), he took a stab at writing a book. That effort was published as Oh God! A Novel (1971). After that hurdle Corman never looked back and he became a full-time novelist. Oh God! was eventually made into a very popular movie in 1977 starring George Burns and John Denver.
Some of Corman’s other acclaimed novels include The Bust-Out King (1977), The Old Neighborhood (1980); 50 (1987); Prized Possessions (1991); The Boyfriend from Hell (2006) and his most famous work, Kramer vs. Kramer (1977) which was adapted into a movie in 1979 and was the winner of five Academy Awards including Best Picture.
Avery Corman’s success must partially stem from his middle-class upbringing in the Fordham section of the Bronx during the 1940’s and 50’s, where he admits he was not the best student when it came to math and science, but did well in the humanities and was surrounded by a loving, extended family.
My Old Neighborhood Remembered A Memoir is more a series of vignettes rather than a straight autobiography and that style comes off well. Corman shares his memories of childhood during World War II up until he becomes a successful author in the late 1960’s. He paints beautiful word pictures, sometimes tinged with sadness, of growing up in a wondrous place that no longer exists. Most of the stories offer short bursts of family life, games, food, education, sports and all the things that contributed to making the Bronx a special place to grow up in.
Corman’s stories resonate with a tender glow of friendships, family and the feeling that neighborhoods were once really neighborhoods, where the familiarity of rituals, people and places were ingrained in the surroundings.
Here are parts one and two of an exclusive interview with Avery Corman.
Part I, Avery Corman talks about what made the Bronx a special place during the war. His unique living situation and school life.