The “Oomph Girl” Ann Sheridan Does Her Spring Training
I made a positive print of this undated photographic negative, identified as Ann Sheridan. If correct, it is a very early publicity photo of the actress nicknamed the “Oomph Girl.” Besides that, there is no information about when or where the photo was taken or who the man in uniform with Sheridan is.
Obviously the photo was taken at a beach. At first glance the man squatting with the big smile resembles Continue reading →
The Catcher Was A Dog – Spring Training Phoenix, Arizona 1956
Is Being A Catcher A Dog’s Life?
Sparky the dog in Wes Westrum’s catching gear March 12, 1956 photo; United Press
Baseball catchers wear the so-called tools of ignorance. They get hit by wild pitches, foul balls and errant bats, constantly taking a beating behind the plate. So who wants to be a catcher? Continue reading →
It is 1889 and we are looking west across Central Park on 72nd Street towards the Dakota flats apartment building. Unlike today, there are no bicycle lanes, rollerbladers or joggers on the roadway. And the park seems to be bereft of crowds. But the photograph, taken by the Albertype Co., does record a view in which all the elements seen are still present over 130 years later.
In 2021 there are still mounted police patrolling Central Park. Behind this mounted policeman a horse drawn carriage ambles crosstown.
The policeman observes the small group on the sidewalk who have stopped to gaze at the cameraman taking the picture. Continue reading →
The 110th Street Elevated Curve of the Ninth Avenue Elevated c. 1905
We see here the dramatic 110th Street “suicide” curve of the El at Eighth Avenue (Central Park West) from around 1905. From this vantage point a great view of the city could be had for the price of the El’s fare – a nickel.
Above 53rd Street the Sixth and Ninth Avenue Elevated lines combined their tracks to run along Ninth Avenue. When the tracks reached 110th Street, they turned east on to Eighth Avenue continuing into Harlem.
The “S” shape curve was set at a dizzying 60 feet above street level to reach the plateau of Harlem Heights at an acceptable grade. Continue reading →
Greer Garson – Acting Talent Does Not Equate To Being A Good Talk Show Guest
Greer Garson (1904-1996) was a fine and talented actress. Anyone seeing her deeply moving performances in Goodbye Mr. Chips or Mrs. Miniver can attest to that.
Garson won the Academy Award for her portrayal as the title character in Mrs. Miniver. Six additional Academy Award nominations for Best Actress in a Leading Role affirm that her colleagues appreciated Garson’s acting skills.
But according to Craig Tennis, a former talent coordinator of The Tonight Show with Johnny Carson from 1968-1976, Greer Garson was not great when it came to spontaneity. Continue reading →
Barbara Stanwyck Thanks “Golden Boy” For Her Honorary Oscar 1982
In a six decade career Barbara Stanwyck (1907-1990) received four Academy Award nominations for Best Actress in a leading role. The films were Stella Dallas (1937); Ball of Fire (1941); Double Indemnity (1944) and Sorry, Wrong Number (1948). She did not win for any of these great performances in fine pictures.
Stanwyck and William Holden starred together in the 1939 film Golden Boy. It was Holden’s first starring role. And he was almost fired. But Barbara Stanwyck insisted Holden stay on the film. The two became lifelong friends.
At the April 3, 1978 Academy Awards presentation, William Holden and Barbara Stanwyck were reunited as co-presenters for the award for best sound.
This was the era before everyone handing out awards had every word scripted for them and was littered with politically correct, back-slapping fake accolades and bad jokes. What happened next was completely genuine, unrehearsed and quite touching as you will see by Stanwyck’s reaction.
Finally four years later on March 29, 1982, the Academy recognized Stanwyck with an honorary Oscar for “superlative creativity and unique contribution to the art of screen acting.”Continue reading →
Columbus Circle 1947 photo: Keystone-Mast Collection, UCR/California Museum of Photography
Our scene shows Columbus Circle looking south from Broadway and 60th Street towards 8th Avenue.
In the foreground are two examples of the iron and glass subway kiosks providing graceful entrances and exits to the original subway. By the late-1960s all the ornamental kiosks were removed by the city. Continue reading →