Category Archives: New York

Scorecard. Who Needs A Scorecard?

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The Death Of The Scorecard At The Ballgame

Scorecard vendor at the Polo Grounds 1949 - photo William C. Greene

Scorecard vendor at the Polo Grounds 1949 – photo William C. Greene

Recently I went to a baseball game at that imitation ballpark in the Bronx they call Yankee Stadium. After being gently frisked at the admission gates and going through the turnstiles, the thing that did not greet me was what you see above: a vendor selling scorecards.

You could buy a scorecard, but not for 10 cents as it was at the Polo Grounds in 1949. The archaic idea of a scorecard costs $10 at Yankee Stadium and is available at the souvenir shops spread throughout Yankee Mall Stadium. The scorecard is buried in some glossy souvenir publication which I did not purchase, nor did anyone else.

When I used to attend a lot of games in the 1970’s and 80’s buying a scorecard was a no-brainer. From anywhere from a reasonable 25 cents in the early 1970’s to two dollars in the late 80’s, filling out that scorecard and having a program was a nice memento of a game I went to. There is a certain enjoyment derived from scorekeeping and having a permanent record of a game you are attending.

I just dug this program of my closet from a game I went to on Thursday evening September 6, 1973. The Yankees came back in the bottom of the eighth inning after trailing 6-5 on a three run home run from Mike Hegan to beat the Milwaukee Brewers 8-6. Bobby Murcer and Roy White also homered for the Yanks. The time of the game was 2:22.

In my childish way I merely recorded outs as fly outs, ground outs or line outs without denoting the fielders who made the play. As you can see my scorekeeping leaves a lot to be desired, but for a little kid I think I did a pretty good job. Eventually I learned to score correctly.

For 30 cents they packed a lot into 28 pages. Continue reading →

The Moment Lou Gehrig Stepped Down “For The Good Of The Team”

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The Story Of The End Of Lou Gehrig’s Consecutive Game Streak – May 2, 1939

Yankee captain Lou Gehrig stuns Tigers manager Del Baker, home plate umpire Steve Basil and umpires Red Ornsby and Bill Summers as Gehrig informs them he has benched himself.

Yankee captain Lou Gehrig stuns Tigers manager Del Baker, home plate umpire Steve Basil and umpires Red Ornsby and Bill Summers as Gehrig informs them he has benched himself. (photo AP)

Almost everyone knows something about Lou Gehrig, the Iron Horse, and his consecutive game playing streak. But you’ve probably never seen the dreaded moment when Gehrig took himself out of the lineup ending his streak, except by seeing actor Gary Cooper do it in the famous 1942 movie The Pride of the Yankees.

This photograph above shows that actual moment that occurred 75 years ago today.

Since June 1, 1925 Lou Gehrig had appeared in 2,130 straight games over the past fourteen seasons with the Yankees. Gehrig played with sprains, concussions, back spasms, broken bones and illnesses that would have had a lesser man take at least a day off, go on the disabled list or convalesce in a hospital. But Gehrig didn’t just play. He played exceptionally, putting up outstanding numbers offensively and defensively while always conducting himself with grace and humility on and off the field.

So on Tuesday, May 2, 1939 at Briggs Stadium in Detroit, nothing seemed out of the ordinary when Yankee captain Lou Gehrig came to home plate to deliver the starting lineup card.

But earlier in the locker room in a private talk, Gehrig informed Yankees manager Joe McCarthy that he was removing himself from the lineup because he “wasn’t doing the team any good.” McCarthy asked him if he was serious and Gehrig replied that he was. McCarthy then told Gehrig it would be as he wished.

Gehrig approached the plate and handed the lineup card without his name on it to home plate umpire Steve Basil and Tigers manager Del Baker. On the photo, you can see the shock and disbelief on the faces of the men gathered around Gehrig whose expression is one of complete dismay.

The thunderbolt news raced through both teams, then around the stadium and finally throughout the baseball world through the newswires that Lou Gehrig had taken himself out of the lineup and was ending his famous streak.

When the announcement was made over the public address system to the 11,379 fans in attendance of Gehrig’s voluntary withdrawal, it was suggested that he get a “a big hand.”

The New York Times reported a deafening cheer resounded as Lou walked to the dugout, doffed his cap and disappeared in a corner of the bench.

Lou Gehrig consoles Babe Dahlgren about replacing Gehrig in the Yankees line-up, May 2 1939

Lou Gehrig consoles Babe Dahlgren about replacing Gehrig in the Yankees line-up, May 2 1939

Ellsworth “Babe” Dahlgren who had waited since 1937 to start at first base for the Yankees, finally, but reluctantly got his chance. “I hated to break his streak,” said Dahlgren.

”I remember Lou taking the lineup card up to the plate that day. When he came back to the dugout he went over to the water fountain and took a drink. He started to cry. Lou stood there with a towel on his head, taking the longest drink I’ve ever seen anybody take.” Continue reading →

May Day In Brooklyn -1919

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10,000 Girls Celebrate May Day In Prospect Park, 1919

Brooklyn May Day celebration 10,000 girls at Prospect Park 1919

Brooklyn May Day celebration 10,000 girls at Prospect Park 1919

I may not be 100 years old, but I do remember being in public school celebrating May Day with a traditional maypole dance.

May Day in New York has other connotations and since the 1890’s May Day has been known for communists, socialists, union activists and workers marching (sometimes together, sometimes separately) around the city protesting and trying to bring attention to their causes.

But here we see a time when the world was finally at peace, a few months after the conclusion of the Great War (World War I).  Soldiers with their hats on can be seen in the extreme foreground observing and enjoying the festivities.

10,000 Girls in Brooklyn, N.Y. May Day fete

Shouts of joy ring through Prospect Park as happy children dance, play games and sing. Photo shows a general view of thousands of girls of the Brooklyn Girls’ Branch of the Public Schools Athletic League in their annual May Day fete in Prospect Park, Brooklyn, New York.  (photo credit: Central News Photo Service May 2, 1919)

At Death’s Door: Beautiful Mausoleum Doors & Gates At Brooklyn’s Green-Wood Cemetery

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An Artistic Treasure – Brooklyn’s Green-Wood Cemetery Mausoleum Doors And Gates

Frederick Kampfe mausoleum door Green-Wood Cemetery, Brooklyn

Frederick Kampfe mausoleum door Green-Wood Cemetery, Brooklyn

Ambrose Bierce in his Devil’s Dictionary defined a mausoleum as “the final and funniest folly of the rich.”

Of course some of the mausoleums at Green-Wood Cemetery in Brooklyn are elaborate and cost as much as a nice house back in the day. But regardless of Bierce’s cynicism, many of the wealthy spent large amounts of money hiring top architects to design and build their final resting places in hopes of producing eternal shrines to themselves. While many names emblazoned on the tombs are now forgotten, their inhabitants ended up with some beautiful and memorable architectural work that because of their location, a cemetery, is not seen by many.

Thorne - Smith mausoleum door Green-Wood Cemetery, Brooklyn

Thorne – Smith mausoleum door Green-Wood Cemetery, Brooklyn

Here we are focusing on the doors and gates to these mausoleums which were done by artisans of the highest caliber. Some are ornate, some are ostentatious, and some are simple yet elegant.

While some of the decorations on the doors are purely artistic in form, others display symbols which have deeper meanings. Because these mausoleums were commissioned works, the symbolism displayed on the doors was usually well thought out by their owners.

In the 19th and early 20th century many people who visited cemeteries understood the subtle meanings of the icons. It is now mostly a lost art, with crosses, Stars of David, and other common symbols dominating newer funeral markers.

Let us pause and gaze at a few examples of mausoleum portals featuring old school craftsmanship at fabulous Green-Wood Cemetery in Brooklyn. (click any ph0to to enlarge)

Peter Moller mausoleum door Green-Wood Cemetery, Brooklyn

Peter Moller mausoleum door Green-Wood Cemetery, Brooklyn

Valentine Mott mausoleum door Green-Wood Cemetery, Brooklyn

Valentine Mott mausoleum door Green-Wood Cemetery, Brooklyn

The large angel in relief is flanked on top by two smaller angels blowing trumpets representing the Call to the Resurrection.

Acea mausoleum door Green-Wood Cemetery, Brooklyn

Acea mausoleum door Green-Wood Cemetery, Brooklyn

Continue reading →

Old New York In Photos #37 – Riverside Drive 108th Street

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Riverside Drive 108th Street – 1894

Riverside Drive 108th St Residence Samuel Gamble Bayne

Left – 360 Riverside Drive, Right -355 Riverside Drive corner of 108th Street, circa 1894- both designed by architect Frank Freeman, both, one time homes of financier Samuel G. Bayne

Viewing Riverside Drive today with its large apartment buildings lining the street, it’s hard to fathom the avenue with any open land and large private homes, but it was only a little more than 100 years ago when dwellings like this dominated the landscape. What is more amazing is that both of these ritzy houses were built for the same man.

Looking east on the south corner of Riverside Drive and 108th Street, the imposing house on the right in the foreground is the formidable residence of Samuel Gamble Bayne, an oil industry pioneer, financier, world traveler, author and President of The Seaboard National Bank.

Samuel G Bayne residence 108th St Riverside Drive rendering Frank Freeman architect

Architect’s rendering 355 Riverside Drive- Samuel Bayne Villa

The large Romanesque Revival villa residence located at 355 Riverside Drive was built from 1890-1891 by architect Frank Freeman who happily called the style “architecture at rest,” because of its massiveness and immobility.

Also built by Frank Freeman is the building to the left of Bayne’s large villa, which was Bayne’s original home at 360 Riverside Drive on the north corner of 108th Street. It was built in 1887 and Bayne lived here for a little over two years. When Bayne desired more space for his growing family, he moved with his wife Emily and their five children to the south side of 108th street to his new villa, selling his original home March 11, 1891 to the Pullman family for $105,000. Continue reading →

Ladies Day – Rowing On The Harlem River Circa 1905

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Ladies Get Ready For Rowing At An Annual Regatta On The Harlem River

Ladies Day Rowing on the Harlem River circa 1905 photo UPI

At the turn of the century, the male dominated rowing clubs of New York City, Long Island and Hoboken would hold regattas and invite the fairer sex to participate in the rowing races.

Rowing Clubs with names like the Nassau Boat Club, the Harlem Rowing Club, the Nonpareil Boat Club, the Bohemian Boat Club and the Dauntless Rowing Club would hold a “Ladies Day” and open the festivities to women entrants. In some races the women would have assistance from the men as they stroked their four oared gigs or eight oared barges along the Harlem River from Sherman Creek to about 145th Street. This area of the Harlem River has excellent conditions for rowing and the Columbia Rowing teams still holds practices there.

Both sides of the river would be packed with large crowds to cheer the ladies on during these regattas which were usually held by the different rowing clubs in June and September in the the late 1800’s and early 1900’s.

New York Of The Future As Imagined In 1939

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1939 Architects Visualize How New York Would Look In 1950

New York of the future in 1950 as imagined in 1939

Over the years there have been many people who have tried to predict what New York City would look like in the future.

The architects who came up with this vision of Manhattan were way off. Considering that this drawing was made in 1939 and was showing what the city would look like only eleven years later, it is wildly inaccurate. That may be attributed in part to World War II which disrupted almost all building plans.  The artist is V. Hagopian.

Here is the partial text that accompanied the release of this drawing in 1939.

Here’s the New York City of 1950, as prepared by the architects for their great Exposition of Architecture and the Allied Arts which opens April 15th and published today for the first time. And its not a stretch of the imagination at that, for almost every detail of the picture, though not so extensive a scale, can be found in New York today, even including upper terraces on which people may walk.

Starting at the bottom: All freight, trucks and subways will proceed underground. Pneumatic tubes will carry first-class mail at high speed as now, but will be extended to airplane landing stations over the Hudson River piers, and mail after passing through the post office, will be shot at great speed through pneumatic mail tubes leading into office buildings. Street at ground levels will accommodate passenger and other lighter type automobiles.

Elevated sidewalks even with the second story level in the buildings and crossing above the streets at intersections will forever remove the streets from our midst.

Graffiti As Vandalism, Not Art

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Museum of The City Of New York Graffiti Exhibition Doesn’t Show What The Majority Of Graffiti Is – Unintelligible Scrawls By Vandals

I caught the newest exhibit at The Museum of the City of New York entitled “City as Canvas,” which glorifies the practitioners of graffiti and their “work” during the 1970’s and 1980’s in New York City.

For anyone who thinks that graffiti is something to be celebrated in a retrospective by an exhibition at an important cultural institution, here is some evidence to contradict that viewpoint.

Iouri Podladtchikov, Olympic half-pipe king visits the lower east side with typical graffiti defacing a grand old building. photo - Casey Kelbaugh for the New York Times

Iouri Podladtchikov, Olympic half-pipe king visits the lower east side with typical graffiti defacing a grand old building. photo – Casey Kelbaugh for the New York Times

A typical display of current graffiti “art” as seen in this building covered by spray paint on the lower east side really is a better representation of the so called graffiti artist. It pains me to see old handcrafted stone buildings covered with paint. The beautiful Queensboro Bridge girders and stonework are always being cleaned and re-painted due to these miscreants who attack our public property with their spray cans, markers and etching knives.

Subway graffiti photo taken Feb 8, 1982

Subway graffiti photo taken Feb 8, 1982

The onslaught of graffiti began in earnest in the subway system in the 1970’s where riding a train was a demoralizing prospect. Almost every single car was covered in dripping unintelligible paint and marker scrawls, which obliterated any blank spaces. Continue reading →

How They Lit New York For Easter – 1956

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Crosses On The Lower Manhattan Skyline

New York City skyscrapers lit with crosses for Easter March 29 1956

This lighting display in the financial district of Manhattan was a surefire way to attract  attention during the Easter celebrations of 1956.

3/29/1956 New York – Huge crosses, formed by lighted windows blaze above New York’s skyline as part of an Easter display in Manhattan’s financial district. This scene photographed from the roof of the Municipal Building features 150-foot-high crosses in the following buildings (L-R) the City Services Co.; City Bank – Farmers Trust Co.; and the Forty Wall Street Corp.  (United Press Telephoto)

Book Review – Yorkville Twins

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Twins Grow Up In An Exciting, Post-WWII New York City

Yorkville twins coverIf there were more books like Yorkville Twins we would have a clearer picture and better understanding of what it was like for the everyday existence of ordinary people living in Manhattan in post-war New York City. Twins Joseph G. Gindele and John F. Gindele, weave funny, touching and poignant stories of growing up in Yorkville on the upper east side of Manhattan from 1944-1962 with their three siblings and immigrant parents.

Unlike many New York memoirs written by famous or infamous personages who lay their memories of privileged upbringings or Dickensian struggles in print, the Gindele’s recount the daily experiences of middle class family life in a New York that has now largely vanished. This is the New York of cobblestone paved streets where the milkman and the iceman made deliveries with horse drawn wagons. Pushcarts sold vegetables and kids played with erector and chemistry sets and took the time to cut out the backs of cereal boxes and  redeem them in the mail for prizes. Continue reading →