Author Archives: B.P.

Classic Hollywood #47 – Harold Lloyd

Harold Lloyd Between Takes On The Set of Professor Beware! – 1938

Harold Lloyd on set 1939Noted fun-maker rests during an idle moment on location. Harold Lloyd , now in production on his current comedy “Professor Beware!” is seen here taking it easy between “takes”. This is the first Lloyd picture in almost two years. – photo: Harold Lloyd Productions

In the 1920s Harold Lloyd was one of the top box office stars. By the 1930s he was reduced to making a film every two years. With the completion of Professor Beware!, LLoyd said he was now planning on getting ramped up and start making two films per year.

Instead, Professor Beware! turned out to be Harold Lloyd’s next to last film.

The story for Professor Beware! was written by Colonel Crampton Harris, the former law partner of Supreme Court Justice Hugo Black.

Lloyd plays an egyptologist who sees parallels between ancient happenings and his own life that seem like reincarnation and may spell doom for him. Lloyd’s co-star was the unknown Phyllis Welch, but Lloyd had originally offered the female lead to Jean Arthur, who turned it down.

A strange story connected with the film concerns the usually inoffensive Lloyd almost being censored. The Hays office called Lloyd and his staff in for a meeting and wanted a scene cut in which Lloyd’s character is driving in the street, bumps into a fire engine and tells the firemen there is a fire at the pier and yells “fire!” Lloyd was flabbergasted and asked what was wrong with saying “fire”.

Lloyd insisted to the censor that removing the scene would ruin the plot. The Hays office censor said that no actor should ever say the word “fire” on screen. The censor explained that two times previously it had led to  trouble  when a person out on the street buying a ticket at the box office heard the word fire and went to call the fire department.

Lloyd asked the overzealous censor if he had seen the film in a projection booth with no audience and if he had laughed, to which which replied that is where he viewed the movie and  he had not laughed. In a real theater situation, Lloyd explained, the audience would be laughing so hard at that point, that when the word fire was uttered no one would be able to hear it. Believe it or not, the censor agreed with this argument and left the scene intact.

The movie itself did not catch fire and was greeted lukewarmly by the critics and the public. Lloyd then made up his mind to give up acting until “he found the right story.”

After a career appearing in over 200 films, it took another seven years for the highly popular Lloyd to make another film, which ended up being his final movie The Sin of Harold Diddlebock (released 1947).

In 1945 producer-director Preston Sturges convinced Lloyd that he should play the lead character in his new film which was originally slated to star Eddie Bracken as Harold Diddlebock. Considering Sturges’ reputation as a comedic genius, Lloyd agreed.

In an interview with the New York Times after the filming was completed, LLoyd said, “Basically, Preston and I think alike even when our approach is different. I like to go out on the set with a scene mapped out and work from my head; Preston comes on with a blueprint he’s sweated over beforehand to the last detail. He can do his cutting a reel at a time, and stay with it indefinitely; it’s an effort for me to stay in a projection room with an uncut story. After I’ve seen three good ideas go through the chopper, I have to come up for air.”

The strained creative relationship Continue reading →

Old New York In Photos #55 – Staten Island Ferry Terminals

Staten Island Ferry And Terminals – 1960

Staten Island Ferry Terminal aerial April 5 1960

This aerial photograph taken April 5, 1960 shows one of the boats of the Staten Island Ferry in motion while the other ferry boat is idle. The Whitehall or South Ferry terminal (originally named the Municipal Ferry Terminal) was built between 1908-1909 by architects Richard A. Walker and Charles Morris. The terminal was stripped to its steel skeleton and reconstructed in 1957.

Original ferry waiting room 1909 Architects' and Builders' Magazine

Original ferry waiting room Architects’ and Builders’ Magazine November 1909

The Staten Island Ferry used this utilitarian structure until September 8, 1991, when a mysterious fire badly damaged the building. An interim terminal was set up in the lower portion of the terminal which operated for many years while plans for a new terminal were bandied about for years. Finally the new Whitehall Terminal was constructed and rededicated in 2005.

The 25 minute crossing to Staten Island offers one of the great bargain viewing sites of the city from the harbor: in essence, a cruise for free.

When the fare was established in 1897 Continue reading →

How The 1907 Cadillac Was Advertised

4 Cylinders, 30 Horsepower, With Speeds Reaching Up To 50 Miles Per Hour!

Cadillac Ad 1906 Sept 8In the first couple of decades of U.S. automaking, there were so many car companies competing for what was originally a very limited business. From 1895-1930 it is estimated that there were over 1,800 car manufacturers in the United States alone. Cadillac is one of the few companies that survived those early days and have flourished into the 21st century.

I found this ad which appeared in the September 8, 1906 issue of Scientific American Magazine while researching the previous story on the Singer Building. Cadillac Motor Car Co. proclaims several things for the new Model H:

A veritable wonder in hill climbing!

Perfect planetary transmission

Double acting steering device that greatly increases safety

Independent steel engine suspension Continue reading →

The Singer Building: Tallest In New York, Tallest In The World

The Announcement of The Construction of The World’s Tallest Building 1906

The Singer Building: An Architectural Marvel When It Was Originally Constructed

Singer Building 1906 Sept 8 scientific americanWhen you think of tall buildings you probably don’t think a building 612 feet tall is all that important. In 1906 it was considered a staggering height, as a building that size had never been built before.

What is interesting when reading the account of the announced construction of the Singer Building in the Scientific American, is the sense of wonderment in describing how much taller than any other building The Singer Building would be.

Singer Tower Under Construction

Singer Tower Under Construction

The article speaks in flowery language of the proud achievement of being able to construct a building so “lofty.”  Overcoming the posed difficulties in constructing tall buildings was merely a matter of “let’s sit down and figure out how to do this.” Coming through in the writing is the confidence that we are witnessing technical advancements coming in leaps and bounds. The reader palpably feels that not just in construction, but in all areas America itself has unlimited potential.

The birth of the modern skyscraper was at hand.

Excerpts from Scientific American September 8, 1906. Continue reading →

The 19th Century Sexual Adviser: How Often Should You Have Sex?

1867 Advice On How Often and When You Should Have Sex According to a Prominent New York Doctor

In Woody Allen’s masterpiece Annie Hall (1977), there is a split screen scene in which Diane Keaton (Annie Hall) and Woody Allen (Alvy Singer) are each separately talking to their respective therapists. The questions and answers overlap one another setting up the following exchange.

Alvy’s Therapist: How often do you sleep together?

Annie’s Therapist: Do you have sex often?

Alvy Singer: Hardly ever. Maybe three times a week.

Annie Hall: Constantly. I’d say three times a week.

Too much or too little sex is really in the mind of the beholder.

Dr RT TrallSo what did one leading 19th century doctor feel was the right amount of sex? Apparently very little according to a book entitled Sexual Physiology A Scientific and Popular Exposition of the Fundamental Problems in Sociology by Russell Thacher Trall M.D,  published by Miller, Wood and Co. 1867.

Doctor Trall (1812-1877), the author of the book, was a man well ahead of his time in many aspects, not so much in others; in 1853 he wrote a 118 page diatribe on the dangers of the “disease of masturbation,” which is a hoot to read. Trall who was religious but not a fanatic, maintained that drugs harmed the body; was a proponent of vegetarianism; vehement in his opposition to tobacco and alcohol; and in 1852 founded New York Hygieo-Therapeutic College, the first medical school to admit women on equal terms with men. In his Sexual Physiology book, Dr. Trall is quite frank about many topics; explaining the facts of life; divulging how the sexual organs work; and  he even includes a very forward thinking chapter regarding women’s sexual rights.

What caught my attention was the chapter on sexual intercourse. Dr. Trall writes with an almost shocked tone that he knows of people who have “indulged in sexual intercourse as often as once in twenty-four hours, and some who have indulged still oftener. ”

Frequency of Sexual Intercourse

For those who live riotously ; who are constantly goading their sexual passions into abnormal intensity by means of gross food, stimulating viands, and obscene associations, no better rule can be given than the less indulgence the better.

sexual physiology trallThe majority of young persons unite in matrimony with no education whatever on this subject; and habits, right or wrong, are soon formed which are apt to be continued through life. I have had patients who had for years indulged in sexual intercourse as often as once in twenty-four hours, and some who have indulged still oftener. Of course the result was premature decay, and often permanent invalidism. It was not because these persons were inordinately sensual, or unusually developed in the cerebellum, that they damaged themselves in this way. It was simply because they knew no better. Many a man who would have been a good husband if he had only known how, and who would not for his life, much less for the momentary pleasure it afforded, have endangered the health, or hazarded the happiness of a well beloved wife, has destroyed her health, happiness and life (some men several wives successively) by excessive sexual indulgence.

So with that introduction you should not be surprised by Dr. Trall’s opinion regarding the proper amount of sex for a married couple, which he finally gets to: Continue reading →

1956 Brooklyn Dodgers Fall One Game Short

1956 World Series Game 7 – October 10, 1956

Mickey Mantle at bat as Yogi Berra waits on deck World Series Game 7 October 10, 1956 - photo: Ed Stein

Mickey Mantle at bat as Yogi Berra waits on deck World Series Game 7 October 10, 1956 – photo: Ed Stein

The Yankee Hit Parade

Ebbets Field, N.Y.  – This unusual photo of Mickey Mantle at bat and Yogi Berra (8), Yankee catcher on deck waiting for his turn with the lumber, typifies both hopes and fears of this series. Taken in the eighth inning of today’s final game, it shows Dodger catcher Roy Campanella ready to receive and plate umpire Dusty Boggess ready to call. In the background is the crowd as poised as Mickey himself. Mickey hit three homers in the series, though he only got out one hit out of four at bats in today’s game. Berra was one of today’s heroes for the bombers. He hit a pair of two-run homers and got a grand-slam homer in a previous game in the series. Yanks shut out the Dodgers 9-0, for the game and the series. 10-10-56 photo by Ed Stein

The year 1955 witnessed the end of the Brooklyn rallying cry of “wait until next year” when they finally defeated the New York Yankees in an exciting seven game World Series, highlighted by Johnny Podres’ stellar pitching for the Dodgers.

The Dodgers hoped to repeat as champions and even forced a seventh game at their home ballpark at Ebbets Field.

But it was not to be.

After having a perfect game pitched against them by Don Larsen at Yankee Stadium in game five, the Dodgers went back to Ebbets Field down three games to two to the Yankees. Continue reading →

Rare Photograph Of Game 7 Of The 1926 World Series At Yankee Stadium

Yankee Stadium On Edge As Waite Hoyt Pitches To Cardinals Slugger Rogers Hornsby

And The Story of The Strangest End To A World Series

1926 World Series Waite Hoyt pitching to Rogers Hornsby gm 7It is October 10, 1926 and it seems everyone is wearing a hat at game seven of the 1926 World Series at Yankee Stadium. Although the stadium looks packed, rainy, gray and chilly weather kept the attendance for the deciding game down to 38,093.

In this rare photo, Yankee star pitcher Waite Hoyt is unleashing a pitch to the Cardinals Rogers Hornsby. The Yankees would lose this game 3-2 and the game would include one of the most dramatic moments in World Series history and one of, if not the strangest play to end a World Series.

The drama occurred when Cardinals starter Jess Haines had loaded the bases in the bottom of the seventh with two outs and was lifted for the veteran pitcher Grover Cleveland Alexander.  Old Alex had pitched a complete game victory the day before and was tired, but relaxed as he came into the game to face Yankees slugger Tony Lazzeri. The crowd fell silent as Alexander demonstrated his mastery and struck out Tony Lazzeri ending the threat. Continue reading →

Where Did New Yorker’s Go For Rest & Relaxation in the 1840s and 50s? To The Cemetery, Of Course.

Before There Was Central Park, There Was Green-Wood Cemetery

Greenwood Cemetery Bayside Ave.Fern Hill Mausoleums print published 1855

Greenwood Cemetery Bayside Ave. Fern Hill Mausoleums – print published 1855

While few New Yorker’s today take Central Park for granted, there was a time in the city’s history that open spaces where nature could be enjoyed unimpeded by noise and pollution were scarce.

Greenwood Cemetery The Angels Await stereoview circa 1870

Greenwood Cemetery The Angels Await stereoview circa 1870

The great public parks which we enjoy today did not come into existence until the late 1850’s with the creation of Central Park followed by Brooklyn’s Prospect Park in 1867. From the 1840s until the 1860s, the rural cemetery was the place to go if a New Yorker or visitor wanted to experience rolling hills, plains, lakes, fabulous artworks and stroll peacefully while contemplating life.

The oldest of these rural cemeteries in New York City is Brooklyn’s Green-Wood Cemetery which was founded in 1838.

Green-Wood itself put out its own tour book soon after its creation to give visitors what they called “the tour.”

Green-Wood Cemetery admission ticket 1886

Green-Wood Cemetery admission ticket 1886

What could you expect when you got there besides mausoleums and tombstones?

Nature in abundance.

To give you an idea of how popular it was to visit Green-Wood, this section of Appleton’s New York City and Vicinity Guide by W. Williams, published by D. Appleton and Co. (1849) extols some of Green-wood’s virtues: Continue reading →

Classic Hollywood #46 – Ruta Lee

Ruta Lee – Starring in Hootenanny Hoot 1963

Ruta Lee 1963Ruta Lee may not be a household name to the younger generation, but the actress, seen above in a forgettable starring role in 1963’s Hootenanny Hoot, has credits in over 155 movies and television shows over a  60 year career. Her official biography states that she has made over 2,000 television appearances.

She was born Ruta Mary Kilmonis in Montreal, Quebec Continue reading →

Ten Great Films From The 1940s Featuring New York City

Filming Around New York City In The 1940s

On The Town posterDuring Hollywood’s golden years from the 1930s through the early 1950s there were many films set in New York City, but the vast majority were made on the studio lots in southern California. Almost every studio had their own New York set which would convey “the Big Apple.”

The reasons for doing so were obvious; the costs of actually sending the cast and crew on location to film would be cost prohibitive and complete control could be exercised in the studio for crowd control, noise, lighting and other technical issues.

Occasionally films would use stock footage of New York or a second unit directing team would be sent to capture a New York scene or two to be used as establishing shots showing the audience, yes this is New York. Usually though none of the principal characters in the film were ever actually in New York, but back in Hollywood, playing against what is called a “process shot” a background screen showing New York footage usually while the actors were walking or driving.

Even such quintessential “New York” films such as A Tree Grows In Brooklyn (1945) and Yankee Doodle Dandy (1942) were shot completely in Hollywood.

So when the cast and crew actually did any filming in New York it was a rare treat, especially looking back today at the much changed metropolis.

Here are ten of the best 1940s films where a part of the movie was actually filmed on location in New York City.

Saboteur Cummings and Lloyd Statue of LibertySaboteur (1942) This cross-sountry chase of one man falsely accused of sabotage pursuing the real saboteur winds up in New York. Director Alfred Hitchcock had his second unit shoot footage in the city that shows New York in the midst of World War II. We see Rockefeller Center, Radio City Music Hall, the waterfront and other familiar city sights.  A masterpiece of storytelling the film moves at a smooth pace as you bite your nails watching. Spoiler alert: Sinister character actor Norman Lloyd battles hero Robert Cummings on Bedloe’s Island at The Statue of Liberty in one of the most iconic conclusions to a film ever shot. The Liberty’s torch scene, however was shot in the studio.

Ray Milland The Lost Weekend Third Avenue photo Life MagazineThe Lost Weekend (1945) Director Billy Wilder takes advantage of New York, shooting many of the exteriors of The Lost Weekend on location. Ray Milland’s portrayal of troubled, alcoholic writer Don Birnam won him an Academy Award for best actor. The film also won Oscars for best picture, best director and best screenplay. There are so many shots of Milland in the city it becomes a game to recognize where the actual locations are. Third Avenue is prominently put on display. The giant street clock Milland passes in one scene is still there today – located on Third Avenue between 84th and 85th Streets. All the mom and pop stores and restaurants along the way are long gone, replaced mostly by chains. P.J Clarke’s on Third Avenue and 55th Street was used in the shooting but many of the interior scenes of the bar were shot back in Hollywood. Continue reading →