A Busy New York City Street Scene At The Casino Theatre – 1907
We’re looking at the Casino Theatre on 39th Street and Broadway in a Detroit Publishing Co. photograph that the Library of Congress has labeled “Saturday Matinee circa 1900 – 1910.”
By looking at the few details available we can narrow down approximately when this photograph was taken. The weather appears to be on the cool side, as some of the men and women wear coats over their dress attire.
There are a couple of partially visible signs for the show playing at the Casino. Directly behind the man walking in a bowler hat and light colored suit, an advertising sign says that the star of the production is Jefferson De Angelis.
De Angelis appeared in two shows at The Casino between 1900-1910; The Gay White Way which ran from October 7, 1907 – January 4, 1908 and The Mikado which ran from May 30 – July 1910.
Millionaire Harry K. Thaw Shoots Architect Stanford White At Madison Square Garden June 25, 1906
The Beautiful Evelyn NesbitIs At The Center Of It All
In the annals of 20th century crime there are many cases that claim the title of the “crime of the century.” From the Lindbergh kidnapping case to the O.J Simpson saga, the public has always had an unquenchable thirst for following the media coverage of lurid crimes.
Madison Square Garden 1909 photo H.N. Tiemann
Harry Thaw’s murder of Stanford White at the roof garden theater of White’s creation, Madison Square Garden on June 25, 1906, was as big a story that has ever played out in the public eye. If it was not the “crime of the century,” it certainly qualifies for being in the top five.
A brief summary of the principal players in this drama and the events leading up to the murder goes like this.
In 1901, Stanford White, partner in the renowned architectural firm of McKim, Mead & White wants to meet artist’s model and showgirl Evelyn Nesbit, who is 16. White is known in certain circles for being a scoundrel and having many sexual affairs with actresses, models and other pretty girls. After meeting Nesbit under the approval of Evelyn’s mother, White becomes Evelyn’s benefactor over the course of several months paying for a multitude of things for Evelyn, her brother and mother. White arranges for Evelyn’s mother to take a trip back home to Pennsylvania while he promises to “look after Evelyn.” One night, while Evelyn’s mother is away and Evelyn is at White’s bachelor apartment, he plies Evelyn with liquor. Evelyn passes out and White has his way with his virgin teen beauty. Evelyn wakes up in bed naked with White and is in shock after being raped. White begs Evelyn not to talk about what has happened. Continue reading →
I’m not sure which production this is from, but when I first came across this photograph of Joan Collins from the 1950’s my first reaction was just “wow.” I don’t think I’ve seen her looking any better than this.
The two early films from this period I remember Joan starring in were The Girl in The Red Velvet Swing, which told the story of Evelyn Nesbit, Stanford White and Harry Thaw and Land of the Pharaohs, both from 1955. They are mediocre films and Joan does an admirable job in both. Continue reading →
Annabelle Whitford Moore Buchan And The Original “Gibson Girl”
The epitome of feminine beauty at the turn of the century was captured in artist Charles Dana Gibson’s skillful drawings of women, that came to be known as “Gibson Girls.”
Annabelle Whitford was 15 years old when she achieved notoriety dancing at the Columbian World Exposition in Chicago in 1893. Annabelle appeared in movies performing her dances under the name Annabelle Moore from 1896 -1902. She went onto a successful stage career hitting the top as a star in the Ziegfeld Follies of 1908 playing one of the “Nell Brinkley Girls.” Brinkley (September 5, 1886 – October 21, 1944) was a female newspaper artist whose creations were very similar to the Gibson Girls. In 1910 Annabelle married Dr. Edward James Buchan and retired from performing.
In her obituary in the New York Times it was said Annabelle “was the symbol of beauty in her day. She was billed as ‘the original Gibson Girl’ because of her striking resemblance to the Charles Dana Gibson portrait.” The illustrations below are from Gibson’s 1902 book The Social Ladder.