Our stereoview photograph from 1903 shows Madison Square Park looking south towards The Flatiron Building.
A newsboy looks over his shoulder noticing the cameraman photograhing this scene. Nearby, a woman with two children by her side pushes a carriage. Continue reading
Our photograph is from American Art Views, a view book published September 15, 1903 showing contemporary New York City.
To the right, with a flag on its roof is the six-story Fifth Avenue Hotel (1859-1908). The clock in front of the hotel remains standing today, though the hotel is long gone. On the corner of 24th Street we can glimpse the sign for for “Maillard’s.”
Maillard’s restaurant and confectionery shop was on the ground floor of The Fifth Avenue Hotel. Continue reading
This view from the southwest corner of 28th Street looking south along Broadway was taken by the Detroit Publishing Company circa 1908.
Let’s take a closer look at this photograph.
On the left is the eight story Hotel Victoria stretching from Broadway to Fifth Avenue along 27th Street. President Grover Cleveland would use the Victoria as his headquarters whenever he was visiting the city. The hotel began operations in 1872 and was razed in 1914.
You are not contemplating suicide when on the third floor, but there is a man standing on the hotel’s window ledge. He does not appear to be cleaning the windows.
In the background Continue reading
Our photograph was taken around 1905 by the Byron Company (1888-1942), a partnership of Joseph Byron and his son Percy C. Byron. The Byron’s and their employees took thousands of photographs in and around New York City from the 1880s until the 1940s.
This view looking down Fifth Avenue from between 25th and 26th Street at the edge of Madison Square Park shows the Flatiron Building in the hazy background. Continue reading
This scene shows the cowcatcher intersection at 23rd Street where Fifth Avenue and Broadway intersect.
Our photograph is from about 1897, before the famous Flatiron Building was constructed in 1902. Continue reading
Looking west Liberty Street is to the left and Maiden Lane is to the right in this photo from 1895.
This photograph above is sharper Continue reading
Broadway and 62nd Street – The Colonial Vaudeville Theater is on the left, 1913
Broadway means New York City. Sure there are other Broadway’s in the United States, but none have the same clout that New York’s Broadway does. It is the longest street in Manhattan and one of the oldest. What the Dutch called De Heere Straat and later De Heere Wegh, became Great George Street under English rule. The street was paved in 1707, but only from Bowling Green to Trinity Church at Wall Street. After the Revolution, New York’s citizens began renaming streets and Great George Street became Broadway.
Here are some postcard views of Broadway dating from 1895 – 1915 Continue reading
We have featured the Fifth Avenue Hotel before as it was one of the centerpieces of nineteenth century New York.
This magic lantern view is looking northwest, with the hotel occupying the west side of Fifth Avenue between 23rd and 24th Streets.
Though it is impossible to date the photo, it was taken circa 1885. There are a few clues to examine. Continue reading
New York photographers around the turn-of-the-century were always looking for unique vantage points to shoot from.
Here the Keystone Co. photographer went up to the roof of the Flatiron Building and took this shot around 1910. The gentleman in the foreground could be the photographer’s assistant. As the intrepid hatless man dangles his legs over the edge of the roof, we see the northeast cityscape.
In the foreground the trees of Madison Square Park can be seen. To the extreme right on Madison Avenue is the Metropolitan Life Building, the tallest building in the world from 1909-1913.
Next in our photo the building with the dome is the new Madison Square Presbyterian Church.
Metropolitan Life acquired the original Madison Square Presbyterian Church on the southeast corner of 24th Street in 1903 intending to build their new skyscraper Continue reading
The Flatiron Building as seen from behind the General Worth monument – Paul Cornoyer
Paul Cornoyer
We’ve covered Paul Cornoyer (1864-1923) previously and want to showcase some more of his splendid work. He is not a name well known outside of the fine art world, but his New York City paintings are extraordinary and deserve wider appreciation.
Washington Square and the arch after snow – Paul Cornoyer
Paul Cornoyer was born and raised in St. Louis, Missouri where he studied at the School of Fine Art in 1881 working in a Barbizon style of painting. In 1889, Cornoyer went to Paris for further training, and returned to St. Louis in 1894. He came to New York City in 1899 where he established a studio. He remained in New York until 1917 painting various scenes about Manhattan.
Central Park The Boat Pond – Paul Cornoyer
Paul Cornoyer’s impressionistic and tonal paintings of New York City at the turn-of-the-century have a genuine charm to them. Cornoyer’s paintings capture a feeling which is difficult to describe. Cornoyer’s work is very different from any of the other Impressionist or Ashcan artists painting New York City at the same time, such as Childe Hassam or John Sloan. Cornoyer’s work is a little bit softer as are his subjects. There is melancholy present in many of his paintings. But Cornoyer also conveys the palpable exuberance of a new century. A city growing, expansively and vertically yet still clinging to its 19th century humanity.
Late Afternoon Washington Square – Paul Cornoyer