Tag Archives: Grauman’s Chinese Theatre

Classic Hollywood #124 – Marx Brothers At Grauman’s Chinese Theatre

The Marx Brothers Leave Their Prints In Cement At Grauman’s Chinese Theatre- 1933

Marx Brothers leaving prints at Grauman's Chinese Theatre 1933 photo Acme

SUCH IS FAME
Los Angeles – The four Marx Brothers, film comedians are now among the famous whose foot and hand prints now grace the foyer of the Chinese Theater in Hollywood. Enduring cement holds the imprint and the lobby of the theater is beginning  to look like a Who’s Who in Movieland. Among the notables who are represented there are Mary Pickford, Douglas Fairbanks, William S. Hart, Ann Harding, Diana Wynward, and now the Marx Brothers. Photo shows (left to right) Jean Klossner cement contractor; Harpo, Groucho, Zeppo, and Chico Marx. Sid Grauman (standing). Photo: Acme; 2/17/1933

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Classic Hollywood #119 – Marilyn Monroe & Jane Russell At Grauman’s

Marilyn Monroe and Jane Russell At Grauman’s  Chinese Theater 1953

MArilyn Monroe & Jane Russell leaving their prints at Grauman's Chinese Theatre June 26, 1953 photo: AP

Marilyn Monroe and Jane Russell leave lasting impressions at Grauman’s Chinese Theatre. If it were up to Marilyn though it would not have been their hands and feet impressed in wet cement in front of the theater. Continue reading

Classic Hollywood #28 – Norma Talmadge

Norma Talmadge

portraits Norma Talmadge on set

Norma Talmadge, was one of the biggest stars of the silent film era. She was born on May 26, 1894 in Jersey City, NJ, and raised in Brooklyn, NY. Norma had two sisters, Constance Talmadge, also a major star, who was in 83 films and Natalie Talmadge who appeared in nine films.

Norma appeared in over 200 silent pictures, most of which are now considered lost films. In 1916, Norma married film producer Joseph Schenck who became head of United Artists and would go on to become the chairman of 20th Century Fox.

As with many of the silent stars, Norma’s career ended with the advent of sound. By 1928 her career had already stalled to one film per year. There was talk in 1928 of reissuing her favorite film Smilin’ Through (1922), but Norma was staunch in her refusal to re-release it. Norma said, “I thought it was a lovely picture and the fans liked it. Why reissue it? I would rather people only had the peasant memory of it.” This attitude was similar to the screen’s biggest star Mary Pickford, who had said she would never allow any of her films to be released again.

Norma made two sound films, New York Nights (1929) and Du Barry, Woman of Passion (1930). The Du Barry film was widely panned by critics and public alike. Norma then waited for the right script for her next movie. She said she was “favoring playing a comic role.” She never appeared in another film.

Instead, Norma Talmadge travelled the world and invested wisely in real estate, becoming very wealthy.

Legend has it that Norma Talmadge has the distinction of being the first to leave her handprints, footprints and signature at the would famous Grauman’s Chinese Theatre in Hollywood. The apocryphal story Continue reading