Tag Archives: 1930s

Lifebuoy Soap Body Odor Ad 1933

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My Dear, You Smell of B.O.

Lifebuoy Soap Ad - Schenectady Gazette March 13, 1933

Lifebuoy Soap Ad – Schenectady Gazette March 13, 1933 (click to enlarge)

“What a kill-joy B.O. is!” says this 1933 Lifebuoy comic strip ad.

“Perhaps its your fault,” says Auntie to Mrs. B.O.

Nothing like being direct.

The Lifebuoy ad warns that B.O. make life miserable for its victims. I like that  it is whispered in parenthesis in case you don’t know that B.O. stands for body odor.

And to add a dramatic flair, B.O. “threatens their jobs, social positions – even their homes!”

Fortunately of course there is a Continue reading →

Classic Hollywood #40 – Bette Davis

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Bette Davis Might Get Fat

Bette Davis early 1930sYou may be familiar with the dated synth infused 1981 #1 hit song Bette Davis Eyes which brought attention to those magnificent eyes of screen legend Bette Davis, but in the 1930’s Bette’s movie studio was more concerned with Bette Davis Thighs.

In 1933 Warner Brothers asked Lloyd’s of London for a policy on the five foot three and a half, 106 pound star to insure that her weight would not go over 120 pounds. If it did Davis’ producers would get $50,000. Continue reading →

Classic Hollywood #38 – Boris Karloff In Make-Up Chair

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The Making of the Monster

Boris Karloff makeup session Son of FrankensteinBoris Karloff gets his make-up applied by Universal’s chief make-up artist Jack Pierce and his assistant Bill Ely (left) for 1939’s Son of Frankenstein. It took four hours per day to apply Karloff’s make-up.

Karloff had been making movies since 1919 Continue reading →

Lois DeFee Bouncer At The Dizzy Club, New York City 1936

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Don’t Mess With The Lady

woman bouncer Lois DeFee 1936 photo AcmeLois DeFee started her working life at the age of 18 in an unusual occupation – as a bouncer. A couple of years later she would achieve fame of another sort.

“Little Miss Bouncer”

Gentlemen guests at the Dizzy Club, New York night spot; are polite, especially to Miss Lois DeFee, (shown above), with a waiter of average size. Miss DeFee who stands six feet two inches, without high heels, is the official bouncer at the night club, and has acted in that capacity for seven weeks to the satisfaction of the management. Women drunks give her the most trouble, says Miss DeFee. She has been married twice; one of her husbands was a jockey who was only five feet tall. Yes– she enjoys her work, and Broadway night life in general. Credit Line: (ACME 5/15/36)

Lois DeFee was soon hired away from The Dizzy Club on 52nd street to go work across the street at the more famous Leon & Eddie’s performing the same duties at their nightclub.

Lois was later discovered by Harold Minsky of Minsky’s burlesque and she became a top burlesque star for many years, billed as a “glamazon.” Because of her great height, columnist Walter Winchell billed her as”The Eiffel Eyeful.” Lois died in Florida in 2012 at the age of 93.

Classic Hollywood #37 – Lilian Harvey

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Lilian Harvey – “I Am Suzanne” 1934

Lilan Harvey 1934 I Am SuzanneLilian Harvey was born Helene Lilian Muriel Pape on January 19, 1906 in England. Her mother was British and her father German and Lilian was schooled in Switzerland. Lilian became a leading star in Germany in the 1920’s and 1930’s.

A Hungarian nobleman once offered to give Lilian a castle and a whole village to go along with it. Speaking 13 different languages, Lilian was able to make films in four. She left Germany permanently after the outbreak of World War II. Continue reading →

Salaries Of Hollywood In 1937 – A List of The Film Stars Pay

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Katharine Hepburn Was Paid $206,928, While Peter Lorre Made Just $15,265

1937 Was A Good Year For Film Salaries

Gary Cooper - Filmdom's top paid personality in 1937

Gary Cooper – Filmdom’s top paid personality in 1937

I find this sort of stuff fascinating.

In 1938 the U.S. Treasury released a report to Congress that listed how much compensation was paid to luminaries in the film industry for 1937.

The highlight of the report was that Gary Cooper ($370,214) overtook Mae West ($323.333) as the highest salaried film personality.

This was during the height of the Great Depression, so many of the salaries seem astronomical when compared to the average annual salary of a working person which was only $890 in 1937 according to Time magazine.

The list is interesting to look over and there are quite a few surprises. For instance Zeppo Marx ($56,766) is listed in the report and his more famous brothers Groucho, Chico and Harpo are not. Laurel and Hardy are there, and Stan Laurel ($135,167 ) earned nearly $50,000 more than his rotund comedy partner Oliver Hardy ( $88,600).

Ginger Rogers and those famous legs. Ginger received a $124,770 salary in 1937.

Ginger Rogers and those famous legs. Ginger received $124,770 in pay in 1937.

Studio chief and creative genius Walt Disney made only $39,000, yet William A. Seiter, director in 1937 of This is My Affair and Life Begins In College made $135,750!

Box office draws, Barbara Stanwyck, Ginger Rogers and Claudette Colbert were all pulling in over $100,000.

I recognized most of the names on the list, but there are also a handful of people I never heard of like The Yacht Club Boys, ($32,166) who were a popular singing group. And I should have known Alan Dinehart, ($39,666) a busy character actor who appeared in 89 movies during his abbreviated acting career (he died at the age of 54 in 1944).

Bette Davis, Joan Crawford, Spencer Tracy, Olivia de Havilland, Clark Gable, Humphrey Bogart and many others who were big stars are unfortunately not listed.

There are writers, directors, producers, and songwriters mixed in among the stars and supporting players of the movies.

Sadly, so many of these names are now completely forgotten except by a much older generation of contemporaries or rabid TCM movie fans.

Here are the 1937 salaries of over 160 of some of Hollywood’s top talent in alphabetical order:

  1. Don Ameche, $34,499;
  2. Heather Angel, $15,375;
  3. Jean Arthur, $119,041;
  4. Fred Astaire, $211,666; Continue reading →

Classic Hollywood #32 – Busby Berkeley & Joe E. Brown

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Busby Berkeley and Joe E. Brown Check Out A Stripper – 1935

(l-r) Busby Berkeley Esther Burke Joe E Brown

(l-r) Busby Berkeley, Esther Burke, Joe E Brown

Stripper may not be the word for what Esther Burke did. But in the 1930’s it was close to it.

The women in the background are portraying burlesque performers and were part of the chorus of the 1935 Busby Berkeley comedy Bright Lights starring Joe E. Brown, Ann Dvorak, Patricia Ellis and William Demarest.

The caption to the publicity photo reads:

Esther Burke, burlesque queen is all ready to contribute her talents to the opening chapters of “Broadway Joe”, Joe E. Brown’s latest starring vehicle for Warner Bros., with Joe playing a comic with a burlesque troupe. (credit: International News Photo June 8, 1935)

Esther Burke was uncredited in the film, yet was featured singing a song, Powder My Back. Very little information could be found on her, except that she was indeed a burlesque performer during the 1920’s and 1930’s.

Director Busby Berkeley created some of the great images of the silver screen with overhead shots of intricate dance numbers featuring chorus girls.

Joe E. Brown is immortal for saying one of the greatest closing lines in movie history in Billy Wilder’s, Some Like It Hot (1959).

Warning: spoiler to follow if you have never seen the movie –

Jack Lemmon, who plays Daphne, a man masquerading as a woman, informs Brown’s character millionaire Osgood Fielding III, several reasons why they cannot marry, Brown is unperturbed.

Exasperated, Lemmon finally confesses he is a man to which Brown responds “Well, nobody’s perfect.”

Notorious Crime Scene Property Is For Sale

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In Back Of This House One Of The Most Horrendous Killings In New York History Occurred

Westchester Home For Sale in 2014. In the 1930's the home was known as Wisteria House. photo: HGMLS

Westchester Home For Sale in 2014. In the 1930’s the home was known as Wisteria House. photo: HGMLS

You may or may not believe that houses have vibes, memories or energies surrounding them. But regardless of your beliefs, would you want to live on a property where a serial killer committed a murder so horrific that the police did not initially believe the details of the confession?

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In a bucolic town in Westchester, NY, you can buy the three acre property where serial killer Albert Fish took and brutally killed ten-year-old Grace Budd on June 3, 1928.

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Asking price – $799,900.

The home shown in the contemporary photograph above and in the vintage news photograph on the left was once known as Wisteria House, an 1860 villa in what was once Greenburgh, NY, and is now part of the town of Irvington.

Obviously the real estate agent listing the home will not advertise the fact, that on this property right behind the old home was where Wisteria Cottage stood (shown in photo to the right). This is where Albert Fish strangled, dismembered and later, at his own home, ate Grace Budd.

To say Albert Fish was one of the most heinous people who ever walked the earth would be an understatement.

Reading Fish’s life story is to uncover the debaucheries of a real life Hannibal Lecter as described in Silence of the Lambs. Continue reading →

Man Eats Light Bulbs (And Other Delicacies) – 1939

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Harold B. Funston Demonstrates An Unusual Talent For Tolerating Pain

Harold B Funston eats light bulbs 1939

New York City– Harold B. Funston, accounting machine mechanic of Columbus, Ohio brought to New York for an appearance on a radio program, eats glass from a light bulb in a demonstration of his unique hobby — that of emulating the mysteries of the East Indian Fakirs. Credit line (Acme) 2/21/39

The radio program mentioned above was a CBS show, “Dave Elman’s Hobby Lobby.” In rehearsals, Funston amazed Elman, Radio Guide reporter Martin Lewis and the studio audience by chewing up and swallowing six razor blades, which he downed with a glass of water.  He then proceeded to eat some light bulbs.

Funston puts red hot soldering iron on tongue 1939 watermarkedFilm footage exists of Funston eating razor blades; putting fire in his mouth; and laying on a bed of spiked nails as another man sits on him. He also extinguishes a lit cigarette with his tongue.

Here is another Continue reading →

The Moment Lou Gehrig Stepped Down “For The Good Of The Team”

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The Story Of The End Of Lou Gehrig’s Consecutive Game Streak – May 2, 1939

Yankee captain Lou Gehrig stuns Tigers manager Del Baker, home plate umpire Steve Basil and umpires Red Ornsby and Bill Summers as Gehrig informs them he has benched himself.

Yankee captain Lou Gehrig stuns Tigers manager Del Baker, home plate umpire Steve Basil and umpires Red Ornsby and Bill Summers as Gehrig informs them he has benched himself. (photo AP)

Almost everyone knows something about Lou Gehrig, the Iron Horse, and his consecutive game playing streak. But you’ve probably never seen the dreaded moment when Gehrig took himself out of the lineup ending his streak, except by seeing actor Gary Cooper do it in the famous 1942 movie The Pride of the Yankees.

This photograph above shows that actual moment that occurred 75 years ago today.

Since June 1, 1925 Lou Gehrig had appeared in 2,130 straight games over the past fourteen seasons with the Yankees. Gehrig played with sprains, concussions, back spasms, broken bones and illnesses that would have had a lesser man take at least a day off, go on the disabled list or convalesce in a hospital. But Gehrig didn’t just play. He played exceptionally, putting up outstanding numbers offensively and defensively while always conducting himself with grace and humility on and off the field.

So on Tuesday, May 2, 1939 at Briggs Stadium in Detroit, nothing seemed out of the ordinary when Yankee captain Lou Gehrig came to home plate to deliver the starting lineup card.

But earlier in the locker room in a private talk, Gehrig informed Yankees manager Joe McCarthy that he was removing himself from the lineup because he “wasn’t doing the team any good.” McCarthy asked him if he was serious and Gehrig replied that he was. McCarthy then told Gehrig it would be as he wished.

Gehrig approached the plate and handed the lineup card without his name on it to home plate umpire Steve Basil and Tigers manager Del Baker. On the photo, you can see the shock and disbelief on the faces of the men gathered around Gehrig whose expression is one of complete dismay.

The thunderbolt news raced through both teams, then around the stadium and finally throughout the baseball world through the newswires that Lou Gehrig had taken himself out of the lineup and was ending his famous streak.

When the announcement was made over the public address system to the 11,379 fans in attendance of Gehrig’s voluntary withdrawal, it was suggested that he get a “a big hand.”

The New York Times reported a deafening cheer resounded as Lou walked to the dugout, doffed his cap and disappeared in a corner of the bench.

Lou Gehrig consoles Babe Dahlgren about replacing Gehrig in the Yankees line-up, May 2 1939

Lou Gehrig consoles Babe Dahlgren about replacing Gehrig in the Yankees line-up, May 2 1939

Ellsworth “Babe” Dahlgren who had waited since 1937 to start at first base for the Yankees, finally, but reluctantly got his chance. “I hated to break his streak,” said Dahlgren.

”I remember Lou taking the lineup card up to the plate that day. When he came back to the dugout he went over to the water fountain and took a drink. He started to cry. Lou stood there with a towel on his head, taking the longest drink I’ve ever seen anybody take.” Continue reading →