Author Archives: B.P.

Proposed Bridges Of New York City In 1911

In 1911 The Proposed McCarren Bridge Was To Replace The “Old” Brooklyn Bridge So It Could Be Reconstructed

Existing and Proposed Bridges New York City 1911

Existing & proposed bridges New York City 1911 – note the four lower Manhattan bridges instead of three (click to enlarge)

From the New York Tribune of January 1, 1911 comes this illustration showing New York City with its existing bridges and some proposed new ones.

Sandwiched very tightly between the Brooklyn Bridge and the Manhattan Bridge connecting lower Manhattan with Brooklyn, is a proposed new bridge which was to be called the McCarren Bridge named after “Long Pat” McCarren (1847-1909) a state senator who was Brooklyn’s Democratic political boss during the late 1800’s.

Once the proposed McCarren Bridge became a reality, city engineers planned to close and rebuild the Brooklyn Bridge. The engineers feared that the increase in heavy traffic on the Brooklyn Bridge would necessitate additional strength being added, otherwise a support or cable might give way causing a horrible catastrophe. Borings were even made at the site, but the McCarren Bridge was never built.

Other proposed bridges in the illustration show the Hell Gate Bridge which was begun in 1912 and completed in 1916.

Further north on the Harlem River connecting upper Manhattan with the Bronx is another proposed bridge that was never built nestled between the University Heights/West 207th Street Bridge and Washington Bridge. This bridge would have been located at 177th Street in the Bronx and was to be called The Morris Heights Bridge. Continue reading →

Scorecard. Who Needs A Scorecard?

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The Death Of The Scorecard At The Ballgame

Scorecard vendor at the Polo Grounds 1949 – photo William C. Greene

Recently I went to a baseball game at that imitation ballpark in the Bronx they call Yankee Stadium. After being gently frisked at the admission gates and going through the turnstiles, the thing that did not greet me was what you see above: a vendor selling scorecards.

You could buy a scorecard, but not for 10 cents as it was at the Polo Grounds in 1949. The archaic idea of a scorecard costs $10 at Yankee Stadium and is available at the souvenir shops spread throughout Yankee Mall Stadium. The scorecard is buried in some glossy souvenir publication which I did not purchase, nor did anyone else.

When I used to attend a lot of games in the 1970’s and 80’s buying a scorecard was a no-brainer. From anywhere from a reasonable 25 cents in the early 1970’s to two dollars in the late 80’s, filling out that scorecard and having a program was a nice memento of a game I went to. There is a certain enjoyment derived from scorekeeping and having a permanent record of a game you are attending.

: Yankees program 1973 Murcer & Munson on cover

: Yankees Scorecard September 6 1973 Yanks beat Brewers 8-6

: 1973 Yankees program listing broadcasters / pitching rosters

: 1973 Yankees program schedule with ticket prices

: 1973 Yankees program cigarette ad and management team Steinbrenner, Paul, Houk Burke. McPhail

I just dug this program of my closet from a game I went to on Thursday evening September 6, 1973. The Yankees came back in the bottom of the eighth inning after trailing 6-5 on a three run home run from Mike Hegan to beat the Milwaukee Brewers 8-6. Bobby Murcer and Roy White also homered for the Yanks. The time of the game was 2:22.

In my childish way I merely recorded outs as fly outs, ground outs or line outs without denoting the fielders who made the play. As you can see my scorekeeping leaves a lot to be desired, but for a little kid I think I did a pretty good job. Eventually I learned to score correctly.

For 30 cents they packed a lot into 28 pages. Continue reading →

Classic Hollywood #31 – Julie Newmar, Barbara Eden & Tina Louise

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Julie Newmar, Barbara Eden and Tina Louise (Catwoman, Jeannie and Ginger) Before TV Super-Stardom

: Julie Newmar 1957- photo Peter Basch

: Barbara Eden circa 1950s

: Tina Louise 1958- photo Peter Basch

In the mid 1960’s three television shows debuted that have achieved pop culture immortality status: Gilligan’s Island; I Dream of Jeannie and Batman. The beautiful women associated with these shows are forever young in TV re-runs.

Before they went on to become pop-culture legends, Julie Newmar, Barbara Eden and Tina Louise each posed for cheesecake photos in the 1950’s that displayed their natural assets.

Julie Newmar had appeared in films, television and on Broadway winning a Tony Award for Best Supporting Actress for The Marriage-Go-Round. Everlasting fame came to Julie Newmar playing Catwoman on Batman.

Barbara Eden starred in a number of television shows and some movies throughout the 1950’s and 1960’s before landing the title role in I Dream of Jeannie in 1965. The show ran for five seasons on NBC and is still seen today in syndication.

After modeling and appearing on Broadway in the 1950’s Tina Louise became a movie star in her film debut God’s Little Acre (1958) . When she took the role of Ginger Grant in Gilligan’s Island, Louise mistakenly thought via her agent that she would be the lead in the ensemble cast show according to series creator Sherwood Schwartz. Tina Louise believed Gilligan’s Island ruined her acting career and forever typecast her as a sex symbol rather than a serious actress. The show has been broadcast all over the world constantly ever since its CBS network run ended in 1967.

It’s hard to believe all three glamorous women are now in their early 80’s. Ironically, Tina Louise who believed her career was ruined by her participation in Gilligan’s Island, is the only one still actively seeking and getting acting roles.

Fastway – Eat Dog Eat – Album Review

Man Eats Light Bulbs (And Other Delicacies) – 1939

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Harold B. Funston Demonstrates An Unusual Talent For Tolerating Pain

New York City– Harold B. Funston, accounting machine mechanic of Columbus, Ohio brought to New York for an appearance on a radio program, eats glass from a light bulb in a demonstration of his unique hobby — that of emulating the mysteries of the East Indian Fakirs. Credit line (Acme) 2/21/39

The radio program mentioned above was a CBS show, “Dave Elman’s Hobby Lobby.” In rehearsals, Funston amazed Elman, Radio Guide reporter Martin Lewis and the studio audience by chewing up and swallowing six razor blades, which he downed with a glass of water. He then proceeded to eat some light bulbs.

Film footage exists of Funston eating razor blades; putting fire in his mouth; and laying on a bed of spiked nails as another man sits on him. He also extinguishes a lit cigarette with his tongue.

Here is another Continue reading →

The Moment Lou Gehrig Stepped Down “For The Good Of The Team”

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The Story Of The End Of Lou Gehrig’s Consecutive Game Streak – May 2, 1939

Yankee captain Lou Gehrig stuns Tigers manager Del Baker, home plate umpire Steve Basil and umpires Red Ornsby and Bill Summers as Gehrig informs them he has benched himself. (photo AP)

Almost everyone knows something about Lou Gehrig, the Iron Horse, and his consecutive game playing streak. But you’ve probably never seen the dreaded moment when Gehrig took himself out of the lineup ending his streak, except by seeing actor Gary Cooper do it in the famous 1942 movie The Pride of the Yankees.

This photograph above shows that actual moment that occurred 75 years ago today.

Since June 1, 1925 Lou Gehrig had appeared in 2,130 straight games over the past fourteen seasons with the Yankees. Gehrig played with sprains, concussions, back spasms, broken bones and illnesses that would have had a lesser man take at least a day off, go on the disabled list or convalesce in a hospital. But Gehrig didn’t just play. He played exceptionally, putting up outstanding numbers offensively and defensively while always conducting himself with grace and humility on and off the field.

So on Tuesday, May 2, 1939 at Briggs Stadium in Detroit, nothing seemed out of the ordinary when Yankee captain Lou Gehrig came to home plate to deliver the starting lineup card.

But earlier in the locker room in a private talk, Gehrig informed Yankees manager Joe McCarthy that he was removing himself from the lineup because he “wasn’t doing the team any good.” McCarthy asked him if he was serious and Gehrig replied that he was. McCarthy then told Gehrig it would be as he wished.

Gehrig approached the plate and handed the lineup card without his name on it to home plate umpire Steve Basil and Tigers manager Del Baker. On the photo, you can see the shock and disbelief on the faces of the men gathered around Gehrig whose expression is one of complete dismay.

The thunderbolt news raced through both teams, then around the stadium and finally throughout the baseball world through the newswires that Lou Gehrig had taken himself out of the lineup and was ending his famous streak.

When the announcement was made over the public address system to the 11,379 fans in attendance of Gehrig’s voluntary withdrawal, it was suggested that he get a “a big hand.”

The New York Times reported a deafening cheer resounded as Lou walked to the dugout, doffed his cap and disappeared in a corner of the bench.

Lou Gehrig consoles Babe Dahlgren about replacing Gehrig in the Yankees line-up, May 2 1939

Ellsworth “Babe” Dahlgren who had waited since 1937 to start at first base for the Yankees, finally, but reluctantly got his chance. “I hated to break his streak,” said Dahlgren.

”I remember Lou taking the lineup card up to the plate that day. When he came back to the dugout he went over to the water fountain and took a drink. He started to cry. Lou stood there with a towel on his head, taking the longest drink I’ve ever seen anybody take.” Continue reading →

At Death’s Door: Beautiful Mausoleum Doors & Gates At Brooklyn’s Green-Wood Cemetery

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An Artistic Treasure – Brooklyn’s Green-Wood Cemetery Mausoleum Doors And Gates

Frederick Kampfe mausoleum door Green-Wood Cemetery, Brooklyn

Ambrose Bierce in his Devil’s Dictionary defined a mausoleum as “the final and funniest folly of the rich.”

Of course some of the mausoleums at Green-Wood Cemetery in Brooklyn are elaborate and cost as much as a nice house back in the day. But regardless of Bierce’s cynicism, many of the wealthy spent large amounts of money hiring top architects to design and build their final resting places in hopes of producing eternal shrines to themselves. While many names emblazoned on the tombs are now forgotten, their inhabitants ended up with some beautiful and memorable architectural work that because of their location, a cemetery, is not seen by many.

Thorne – Smith mausoleum door Green-Wood Cemetery, Brooklyn

Here we are focusing on the doors and gates to these mausoleums which were done by artisans of the highest caliber. Some are ornate, some are ostentatious, and some are simple yet elegant.

While some of the decorations on the doors are purely artistic in form, others display symbols which have deeper meanings. Because these mausoleums were commissioned works, the symbolism displayed on the doors was usually well thought out by their owners.

In the 19th and early 20th century many people who visited cemeteries understood the subtle meanings of the icons. It is now mostly a lost art, with crosses, Stars of David, and other common symbols dominating newer funeral markers.

Let us pause and gaze at a few examples of mausoleum portals featuring old school craftsmanship at fabulous Green-Wood Cemetery in Brooklyn. (click any ph0to to enlarge)

Peter Moller mausoleum door Green-Wood Cemetery, Brooklyn

Valentine Mott mausoleum door Green-Wood Cemetery, Brooklyn

The large angel in relief is flanked on top by two smaller angels blowing trumpets representing the Call to the Resurrection.

Acea mausoleum door Green-Wood Cemetery, Brooklyn

Continue reading →

Old New York In Photos #37 – Riverside Drive 108th Street

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Riverside Drive 108th Street – 1894

Riverside Drive 108th St Residence Samuel Gamble Bayne

Left – 360 Riverside Drive, Right -355 Riverside Drive corner of 108th Street, circa 1894- both designed by architect Frank Freeman, both, one time homes of financier Samuel G. Bayne

Viewing Riverside Drive today with its large apartment buildings lining the street, it’s hard to fathom the avenue with any open land and large private homes, but it was only a little more than 100 years ago when dwellings like this dominated the landscape. What is more amazing is that both of these ritzy houses were built for the same man.

Looking east on the south corner of Riverside Drive and 108th Street, the imposing house on the right in the foreground is the formidable residence of Samuel Gamble Bayne, an oil industry pioneer, financier, world traveler, author and President of The Seaboard National Bank.

Samuel G Bayne residence 108th St Riverside Drive rendering Frank Freeman architect

Architect’s rendering 355 Riverside Drive- Samuel Bayne Villa

The large Romanesque Revival villa residence located at 355 Riverside Drive was built from 1890-1891 by architect Frank Freeman who happily called the style “architecture at rest,” because of its massiveness and immobility.

Also built by Frank Freeman is the building to the left of Bayne’s large villa, which was Bayne’s original home at 360 Riverside Drive on the north corner of 108th Street. It was built in 1887 and Bayne lived here for a little over two years. When Bayne desired more space for his growing family, he moved with his wife Emily and their five children to the south side of 108th street to his new villa, selling his original home March 11, 1891 to the Pullman family for $105,000. Continue reading →

The Mystery Man Who Let John Wilkes Booth Escape

The Stress of Hank Aaron Breaking Babe Ruth’s All-Time Home Run Record

Stuff Nobody Cares About

A not so random collection of observations about things you should care about