Tag Archives: Ronnie James Dio

13 Classic Heavy Metal Songs With The Vocals Only

Isolated Vocals On 13 Songs From Classic Deep Purple, Black Sabbath, Led Zeppelin, Judas Priest, Motley Crue & Other Bands

Ian Gillan, Deep Purple photo: Jan Persson

We will conclude our overview of isolated vocals with a selection of songs from some of the most iconic hard rock and heavy metal bands.

What you may notice in listening to these cuts is that more than other types of rock, heavy metal has people who can sing and others who greatly benefit with the helping hand of compression and echo.

There were many bands to possibly profile and limiting the number of songs to a bakers dozen was a challenge. While we would consider including Metallica, Megadeth, Exodus, Anthrax, Slayer, Testament and other thrash bands, we left them out this time. Maybe we’ll revisit this subject in the future.

Originators

Starting things off is the band that many fans consider the inventors of heavy metal, Black Sabbath with Paranoid (vocals – Ozzy Osbourne)

In music polls, Led Zeppelin is consistently ranked as the one of the greatest bands in rock history. They also influenced practically every hard rock and metal band even if Zeppelin themselves did not call themselves a “heavy metal” band. This is their iconic 1971 song Rock and Roll (vocals-  Robert Plant)

Most rock fans can name the song in three notes. If Deep Purple did not Continue reading

Iron Maiden’s Bruce Dickinson’s Memories of Producer Martin Birch

How Martin Birch Helped Iron Maiden’s Bruce Dickinson

Iron Maiden 1982 (l-r) Clive Burr, engineer Nigel Green, Dave Murray, Martin Birch, Bruce Dickinson, Steve Harris, Adrian Smith photo via The Walk of Fame

Martin Birch, the music producer who worked with more than a score of rock’s legendary groups died Sunday, August 9, 2020 at age 71. No cause of death was announced. He leaves behind his wife Vera and daughter Haley. Continue reading

5 Of The Greatest UK Hard Rock Songs You (Probably) Never Heard Of

Five Of The Greatest & Least Known UK Hard Rock Songs (Unless You’re a Fan Of The Band)

Slade photo Paul Cox

Slade on stage photo Paul Cox

I’ve seen hundreds of rock bands live. Working in the music industry afforded me a close-up look at greatness. Unfortunately many times the public does not recognize, let alone buy greatness. Continue reading

The New York Times Obituaries Occasionally Celebrates Low-Lifes, Yet Ignores Deserving Artists and Notables

Who Gets A New York Times Obituary Write-up?

What do legendary blues and heavy metal guitarist, Gary Moore, rock album photographer Jim McCrary and playwright, screenwriter, author and jazz champion Max Wilk all have in common?

When they died, the New York Times did not cover their deaths in the obituary column. We all know space is limited, but these people were significant in their artistic fields, enriching the lives of countless others.  It would be nice had the self-proclaimed “newspaper of record” recorded and noted their amazing lives. But The Times editors felt these people were not deserving.

The official policy about who the The Times decides to write up is :

When we look to see whether someone had made a newsworthy impact in some way — who “made a wrinkle in the social fabric,” — we don’t equate significance with fame. In point of fact, 9 out of 10 people we write about are indeed not household names (the 10th is — a movie star, a secretary of state). But that doesn’t negate their importance. Most made their marks in quiet ways, out of the public limelight, but they still made a mark, possibly on your life and mine.

So who is deserving?

Apparently an unremarkable low-life, graffiti tagger, StayHigh 149, a.k.a. Wayne Roberts , can get a full write-up.

Yes, Roberts definitely, as the Times puts it, “made a mark on your life and mine.”

More like a blemish.

Especially in New York City in the 1970’s when the city was bombarded with the eyesore of graffiti defacing public and private property.

As is noted in the obituary, this great man (sarcasm) in the 1960’s was working as a messenger on Wall Street and smoking about an ounce of marijuana a week, earning the Stay High nickname.

Inspired by other vandals tagging subway cars, he then began defacing public property.

Chris Pape a fellow graffiti  aficionado says in the Times obituary:

“He (Roberts) rode empty trains all day with markers in his pocket, and he wrote everywhere.” By the early ’80s, Pape said, drugs had begun to take their toll. Roberts left his World Trade Center job, and his wife, because of his drug use. “He was a functional junkie who occasionally did time in prison for stupid things,” Pape said. “He was like that for 20 years. He didn’t want to be found.”

For some reason, I can only think of the millions of wasted dollars that it cost taxpayers to eradicate the vandalism this cretin created.  As I have said before – graffiti is definitely not art.

This is the sort of person The New York Times chooses to cover in their obituaries?

For the record, when one of the most influential singers in heavy metal history, Ronnie James Dio, died on May 16, 2010, the following day The Times devoted 493 words to summing up his life.

Graffiti vandal Wayne Roberts had 838 words written about him.