Tag Archives: Los Angeles Times

Oh No. “Fats” Of The Little Rascals Is Dead

“Fats” Is Reported Dead And Little Rascals Fans Scratch Their Heads In Confusion.

The Los Angeles Times, New York Daily News, Philadelphia Inquirer were among the dozens of newspapers reporting the sad news of the passing of Don Law aka “Fats.” The Associated Press photo shows a rather glum grown-up Don.

You remember “Fats” from Our Gang a.k.a. The Little Rascals, right? Even serious fans of Our Gang may not exactly be sure which one Fats was. Probably the big fat kid.

Search your memory. You’ll come to the conclusion that you don’t remember anyone named ‘Fats’ in Our Gang. Continue reading

“Good Acting Is Like Good Love-Making” – Old Time Movie Stars Reflect On Acting

 Actors Talking About Acting

William Holden & Veronica Lake in I Wanted Wings (1941) – photo: Paramount Pictures

William Holden – “The best actors I know have no style but that of genuine professionalism. They act each role according to the script. And if they do have a style, it is so much a part of their personality it can’t be noticed.” (Atlanta Constitution April 22, 1956)

If you hear people lament that today’s movie stars don’t stack up to the old stars, there are probably many reasons for the lack of charisma or star power today. Regardless of their approach to acting, the old-time Hollywood stars all had one thing in common: they came through the studio system, where they were trained and “groomed” to be and act like movie stars. How each actor accomplished that varied from actor to actor.

Whatever techniques they used to develop their acting style; “The Method,” “Chekhov,” or simply showing up and knowing your lines, movie stars usually could provide philosophy or insight into their craft when being interviewed by the press. Whether they had honed their skills on the legitimate stage or come straight from a farm, to be a star you had to learn and understand something about acting.

Here are twelve old time movie stars expressing their views, sometimes simply, other times with great insight about acting.

Veronica Lake – “I’m no great actress. I just had a movie job dumped into my lap, the public seemed to like me, and that’s all there was to it.”  (Wide World Features May 3, 1942)

Rod Steiger – “Good acting is like good love-making. Leave yourself alone and explore. Do it. Don’t watch yourself do it. Don’t think about yourself doing it. You just go from moment to moment. But don’t take anything for granted either, especially not in acting. That’s when you get your ass kicked.” (Los Angeles Times  September 15, 1994)

Yul Bryner – “I’m not of the can-kicking, shovel-carrying, ear-scratching, torn T-shirt school of acting. There are very few real men in the movies these days. Yet being a real man is the most important quality an actor can offer on the screen.”  (Detroit Free Press April 27, 1958)

Paul Muni – “Acting is a scientific art. It’s a matter of trial and error. You try out your effects like a man who is experimenting on a new chemical formula. I enjoy the experimenting.”  (Boston Globe Feb. 6, 1949)

Barbara Stanwyck on reluctantly accepting the role of the “no good” Phyllis Dietrichson in Double Indemnity – “Once I said yes I was awfully glad. During the making of it Fred (MacMurray) would go to the rushes. I remember once the next day he said, ‘You’re not acting, you’re enjoying it.’ And I remember saying ,’Fred, really, how was I?’  And very candidly he looked at me and said, ‘I don’t know about you- but I was wonderful!’ And that was such a true remark. Actors only look at themselves.”  (Los Angeles Times April 5, 1987)

Spencer Tracy – “I’ve always played the same character. Larry Olivier says the way to act is learn your lines and get on with it. I’m Spencer Tracy with some deference to the character. When a person says he’s an actor – he’s a personality. The whole idea is to show your personality. There are people who are much better technically, but who cares?  Nobody cares.” (Los Angeles Times  November 18, 1962) Continue reading

In 1904 The Drive Time From Los Angeles to Santa Barbara Was 6½ Hours

6 ½ Hours From L.A. to Santa Barbara (And That’s With No Traffic!)

What has four cylinders, 24 horsepower, weighs 2300 pounds and gets you from Los Angeles to Santa Barbara in just under 6 ½ hours?

A 1904 Peerless automobile. Future millionaire Norman W. Church took out this ad for Peerless in the Sunday, June 5, 1904 Los Angeles Times.

For a trip that today can take three hours with moderate traffic, 6 ½ hours in 1904 is a miracle. The “roads” in 1904 were in a primitive state to say the least. Rural roads were frequently  dirt paths filled with rocks and sand. Many times you’d have to drive through a field to get from place to place. Paved roads in California were a rarity, usually found in cities.

The interesting thing about the ad is that the Peerless will make the trip “without a single mechanical adjustment.”  That indeed was a rarity as automobiles were constantly being tinkered with. You had to be your own mechanic or bring one with you, as breakdowns were frequent.

You may be wondering if the Los Angeles to Santa Barbara trip took six and a half hours, how quickly in the early 1900s could you  drive from Los Angeles to San Francisco? Continue reading

Rae Samuels & The Last Bottle Of Beer

Vaudeville Star Rae Samuels Tries To “Steal” A Heavily Insured Bottle of Beer

Rae Samuels last bottle of beer Dec 30 1932Will Prohibition Be Finished? – The last bottle of beer that was distilled in the U.S.A. before prohibition and that during several years was a fine attraction of theatres and shows in Chicago – Americans like a good joke, will surely “have lived.” This bottle of beer has been insured against “accidents” for $25,000.

You know, it’s funny how some stories change when you start looking into them.

When I first started to write about this news photograph the focus was on the end of prohibition. But then I wondered who was the unidentified woman in the photograph? It turned out that her story was more interesting than the beer bottle and the end of prohibition.

The woman being “pinched” by the cop is Rae Samuels, for over 20 years one of vaudeville’s biggest stars, earning $2,500 per week. She is so forgotten today that she does not even have a Wikipedia page. Continue reading

Classic Hollywood #24 – W.C. Fields In Color

W.C. Fields In A Rare Color Photograph Circa 1940

WC Fields color

W.C. Fields or Bill Fields to his friends, was one of the most talented comedians of the first half of the 20th century. He began his show business career in vaudeville as a juggler and worked his way up to top billing in the Ziegfeld Follies for a ten year stretch. From there he went on to become a major film star during the 1930’s and early 1940’s. Today, upon viewing his films, many people do not understand why he was considered funny. But I assure you there is a subtle brilliance in Fields’ portrayals of the henpecked husband, disreputable man and misunderstood misanthrope.

One of the more popular, yet apocryphal stories about Fields, was that he had hundreds of bank accounts spread across the country, many under ridiculous pseudonyms such as Otis Criblecoblis; Mahatma Kane Jeeves; Aristotle Hoop; Ludovic Fishpond; Figley E. Whitesides and so on. After Fields died in 1946, his mistress Carlotta Monti claimed that there was over $1.3 million in unclaimed funds in banks under the fake names. An assistant hired to solve the dilemma of Fields estate found only 24 accounts all under Fields real name. Continue reading

Two Baseball Greats Pass Away- Stan Musial & Earl Weaver – Remembering An Infamous Interview

Cardinals Superstar Stan Musial Dies At 92, Orioles Manager Earl Weaver Dies At 82

Plus One Very Dirty, Funny Radio Show Featuring Earl Weaver

If you are like me, Saturday, January 19, 2013 will be remembered by baseball fans as a very sad day because two Hall of Famers died.

Stan Musial was one of the greatest players to ever play the game and was a gentleman on and off the field.

Earl Weaver was supposedly a gentleman off the field. On the field he could be a terror to the umpires.

I’ll leave the comments of greatness to others on both of these legends. While both of these men will get accolades and fond remembrances in the obituary pages, few will mention the outtake reel from “The Manager’s Corner” with Earl Weaver and Tom Marr. Continue reading

“Mongo” – Alex Karras NFL Star Dies At 77

Karras, Famous For Stellar NFL Career, Will Always Have A Place in Movie Comedy History

Alex Karras died in Los Angeles at the age of 77 on October 10, 2012 due to kidney failure and other health complications.

The Detroit Lions All-Pro defensive tackle will be remembered by many as a great football player who played from 1958-1970. But I, along with many other people, will remember his acting career which stretched from 1968 -1998. Mel Brooks comedy fans especially loved Karras’ portrayal as the monosyllabic ruffian cowboy, Mongo, in Brooks brilliant 1974 western satire Blazing Saddles.

Karras did not have many scenes in the movie, but they were all very funny.

This scene below is the one that shocked audiences: Karras’ one punch knockout of a horse.  As an fyi -Karras did not actually hurt the horse and people would later come up to him and ask how he could do such a horrible thing.  “I thought it was hilarious, but I didn’t want to hurt that horse at all, believe me,” Karras said in a 2011 interview with the “Sports and Torts” Internet radio show. “I’m not the type of person to do that.”

 

Jim McCrary, Rock Photographer Dies at 72, Famous For Carole King Tapestry Photos

Jim McCrary Photographed Over 300 Album Covers For A&M Records

Cover Photograph to Carole King’s Tapestry Album

Jim McCrary who will be remembered for taking in 1971 one of the most iconic album cover photos in music history, Carole King’s Tapestry, died  at the age of 72 on April 29, 2012 of complications from a chronic nervous system disorder at the Veterans Affairs hospital in Palo Alto, CA.

Jim McCrary self-portrait 1978

McCrary was a self-taught photographer beginning his career in 1952. He worked for many years as staff photographer for several portrait studios and in the photography department of Rockwell International during the 1950’s and 1960’s. McCrary joined Herb Alpert’s and Jerry Moss’ A&M Records in 1967 as chief photographer. For the next seven years he photographed most of A&M’s albums, publicity and advertising work.  Among his better known images are of Joe Cocker, Cat Stevens, Gram Parsons & The Carpenters.

  

McCrary left rock photography in the late 70’s after he felt he had lost touch with the music of the bands he was working with.  His work won many awards from the Los Angeles & New York Art Directors Clubs, and appeared in several “Best” Album Cover books.

McCrary shared his talent and taught at the Art Center College of Design in Pasadena. Tom Upton, who was once a student of McCrary’s in the 70’s said “…he was magnanimous and kind. He expected hard work and absolute transparency when reviewing work. He was the antithesis of the celebrity photographer as guru, popular at the time. He required no fealty or brown-nosing, just honesty and plain backgrounds so you had to engage your subject. He taught us about hard light and soft light in a portrait, and what the consequences were.  You, the subject, the light, and no bull.  His assignments were affectionately termed ‘McCrary Portraits’ by his students.”

Survivors include his son Jason McCrary and two brothers Wylee Dale McCrary and Doug McCrary.

To read the story about how Carol King’s Tapestry photo shoot unfolded, click here.