The Sights & Sounds Of Yankee Stadium 1931 – Yankees vs. Red Sox
What follows is a rare and amazing 14 minutes of film.
Yankee Stadium on opening day April 14, 1931. Yankees versus the Red Sox. Happenings before and during the game.
What makes it so unusual is that the film crew was experimenting with syncing the sound to the action. So there are microphones recording what was being said or the resonant sounds of baseball. The players don’t quite know what to say when asked to speak. The natural sounds of the ballpark are just so different from today.
Batting practice with Babe Ruth and Lou Gehrig. Mayor Jimmy Walker throws out the first ball. An IRT train passes and stops beyond the left field bleachers. Everyone in the stands is well dressed as you’d expect. Large signs remind everyone that “Betting is prohibited.”
The lack of technology is pure pleasure. The advertising is on billboards same as now, but no ads or deafening music being blasted from speakers. Your visual senses are not assaulted by a jumbotron. Fans look at the field, no distractions.
No P.A. system. A guy with a megaphone comes out and announces each team’s battery – a term rarely used today – for pitcher and catcher.
Then there is not only a patriotic marching band entertaining fans, but all the players from both teams march along with the band.
The game itself is great to see, but the things you notice while the game is going on seem so foreign to a modern viewing audience. Continue reading →
If They Had, It Probably Wouldn’t Have Sounded As Good As Randy Jackson Of Zebra’s Acoustic Solo Version
Led Zeppelin never got to perform Carouselambra live. It’s a ten minute thirty four second synthesizer driven opus.
This version of Carouselambra performed by Zebra’s Randy Jackson is absolutely spectacular.
Carouselambra is one of the radio’s least played Led Zeppelin songs. Maybe it is because of the length of the song or maybe it is the mix which is not up to the usual Led Zeppelin standards. Whatever the reason, besides its enigmatic and haunting lyrics, Carouselambra has some very strong points.
Randy Jackson (lead singer and guitarist of Zebra) not only does the song justice, but turns in an amazing solo performance. Remember, this song was originally recorded with swirling keyboards, guitars, bass and drums. (At end of our story is the original Zeppelin recording.)
The Story of Carouselambra
After the sudden death of Robert Plant’s five-year-old son Karac from a virus in 1977, touring came to an immediate halt and the band went on hiatus. Robert Plant distanced himself from his band mates.
After a long period of self-introspection, Plant decided he was ready to make music again. In December 1978, Led Zeppelin convened to make their final studio album, In Through The Out Door. Three weeks of recording time in Stockholm’s Polar Studios, owned by members of ABBA, were mainly consumed by bassist John Paul Jones and singer Robert Plant. The pair, who had never been the closest of friends, spent a lot of time together and ended up writing almost all of the music and lyrics for the album.
John Paul Jones told Zeppelin biographer Barney Hoskyns, “The band was splitting between people who could turn up at recording sessions on time and people who couldn’t,” Continue reading →
Clara Bow The “It” Girl Made Only One Film In Color, and This One Minute Fragment Is All That That Survives
(And What Exactly is “It”)
Most movie fans never saw Clara Bow’s beautiful red hair except when illustrated on magazine covers. All but one of her films was made in black and white. Her red hair and Brooklyn childhood earned her, her original nickname “The Brooklyn Bonfire.”
So seeing the primitive color film clip below is a pleasant treat for classic movie fans.
With the exception of one film, Red Hair” which is now considered lost, this one minute fragment is all that survives of Clara Bow filmed in color.
If the last minute of Red Hair could be found we would see Clara Bow in as little clothing as the censors would allow.
So what exactly is “It”? Writer Elinor Glin wrote a magazine article called “It.” and a movie soon followed in 1927 starring Clara Bow. The sobriquet The “It Girl” was immediately and permanently attached to Clara Bow.
“Either you have “It” or you don’t have” It.” “It” is sex appeal definitely, but much more than that.
In a 1927 interview, writer Glyn said you must have ALL of the following qualities: Continue reading →
Sweet – The 1970s Band That Should Have Been As Big As Anyone. They Released Their Final Hit In January 1978 – Love Is Like Oxygen
A Story of Sweet Success And Missed Opportunities
Sweet in their glam band outfits circa 1973. From l-r Brian Connolly, Steve Priest, Andy Scott and drummer Mick Tucker holding guitar.
If you were to name a rock band that should have had long-lasting, international success and made a major musical impact but didn’t, one of the top contenders would have to be Sweet.
In the pantheon of great rock bands, Sweet has been forgotten.
There are many reasons for this amnesiac neglect. Possibly the reasons add up like this: a series of bad breaks; not being taken seriously by a dismissive, indifferent critical press; an insufficient amount of American touring and radio exposure; and unsure musical direction. But certainly not because of a lack of producing great rock music.
This year marks the 40th anniversary of Sweet’s final hit Love Is Like Oxygen which was released in January 1978. We’ll discuss the song at the end of this article, but here is an abbreviated version from the TV program Top of The Pops.
A very similar band from the same time, Queen, became, a juggernaut, filling arenas and stadiums, having tens of millions of album sales and critical acclaim – all things Sweet seemed destined to achieve, but didn’t.
And if you don’t think Queen was heavily influenced by Sweet, then maybe you should have a listen.
Despite over 35 million album sales and moderate touring success around Europe, Sweet never lived up to their potential. With the exception of a handful of songs, Sweet was rarely played on American radio, hampering whatever breakthrough success they deserved.
Today, younger listeners unfamiliar with Sweet during their heyday, will rarely be able to name the band when they hear them. They recognize the songs, but often mistake the band’s music for that of E.L.O., the Bee Gees, Queen or some other band.
In the 1970s, Sweet, an English glam pop band, morphed into a serious hard rock band with a long list of hits in the United States and England. Originally they recorded songs written by others, primarily their managers and main songwriters Mike Chapman and Nicky Chinn.
But Sweet was more than just a Three Dog Night, Grass Roots or Monkees sort of band. Those bands could barely get by playing an instrument live and never or rarely wrote any of their own songs.
Sweet’s bass player Steve Priest, drummer Mick Tucker, guitarist Andy Scott and lead vocalist Brian Connolly were all accomplished musicians who could write and play their own music and do it damn well.
What made Sweet stand out was their vocal harmonies.
Frequently featured on the weekly British music show Top of the Pops, Sweet would, as the custom was at the time, go on stage and lip synch what they had done on record. Their disdain for lip synching was apparent and they would often make a mockery of their own performances.
Their early “hits,” all written by Chapman and Chinn, were simple but immensely catchy ditties, in the genre known as “bubblegum rock.” Innocent lyrics with just a bit of double entendre intended for a teen audience.
Blockbuster, Wig Wam Bam, Funny Funny, and the American crossover hit Little Willy were just a few of their early chart successes. These were followed by more hits Hell Raiser, No You Don’t, AC-DC, Turn It Down and Sweet’s most famous song The Ballroom Blitz. Continue reading →
Some Highlights Of The Late, Great, “Fast” Eddie Clarke, Guitarist Of Motörhead
The “classic” Motorhead line-up on stage circa 1980 (l-r) Phil Taylor, Eddie Clarke & Lemmy Kilmister photo: Simon Fowler
When “Fast” Eddie Clarke (October 5, 1950 – January 10, 2018), guitarist with Motörhead from 1976-1982 died from pneumonia last week at the age of 67, it closed the book on what many consider Motörhead’s greatest line-up.
In the space of a little over two years, Eddie Clarke, singer-bassist and founder Lemmy Kilmister and drummer Phil “Philthy Animal” Taylor, all died.
The trio put out albums that are considered the high points of Motörhead’s career: Motörhead (1977), Bomber (1979), Overkill (1979), Ace of Spades (1980), No Sleep ’til Hammersmith (Live 1981) and Iron Fist (1982).
After being forced out or leaving Motörhead in 1982 (stories conflict on the departure), “Fast” Eddie formed Fastway with bassist Pete Way of UFO. Continue reading →
Here’s how the CBS Evening News covered the death of the 33rd President of the United States, Harry S. Truman. This three minute clip reflects the simplicity of Harry Truman.
Throughout his life Harry Truman spoke his mind and was honest and ethical, highly unusual traits for a politician.
How much of a straight shooter was Harry Truman? The following story clearly illustrates it.
President Nixon tours Truman Library with President Truman March 21 1969 photo: Harry S. Truman Library
When he retired from public life in 1953, President Truman and his wife Bess moved into his mother-in-law’s house in Independence, MO. They had almost no money.
Truman had been offered many jobs, but turned them all down. Truman had not exploited his fame or former power of the high office he had held for monetary gain.
“I could never lend myself to any transaction, however respectable, that would commercialize on the prestige and dignity of the office of the presidency,” Truman would later write of his refusal to influence-peddle to get by.
No president received a pension until 1958 when Congress established a law giving former presidents a pension of $25,000 per year.
Truman would frequently recite this prayer…and mean it:
“Oh! Almighty and Everlasting God, Creator of Heaven, Earth and the Universe: Help me to be, to think, to act what is right, because it is right; make me truthful, honest and honorable in all things; make me intellectually honest for the sake of right and honor and without thought of reward to me. Give me the ability to be charitable, forgiving and patient with my fellowmen—help me to understand their motives and their shortcomings—even as Thou understandest mine! Amen.”
An Appliance Store Advertises A New Dishwasher Innovation -1951
You almost have to wonder if the sign in the window was a joke, or did some unfortunate writer really make this blunder?
New York: The signpainter must have been thinking of the last time he helped dry the dishes at home, when he made this sign on the window of a Staten Island appliance store. Of course it’s a dishwasher on display, not a dishmasher. (11-26-1951) credit: Acme
Contaminated fish and micro chips
Huge supertankers on Arabian trips
Oily propaganda from the leaders’ lips
All about the future
There’s people over here people over there
Everybody’s looking for a little more air
Crossing all the borders just to take their share
Heading for the future
And we’re so abused and we’re so confused
It’s easy to believe that someone’s gonna light the fuse
Can’t happen here, can’t happen here, all that you fear they’re telling you, can’t happen here
Supersonic planes for a holiday boom
Rio de Janeiro in an afternoon
There’s people out of work but there’s people on the moon
Looking for the future
Concrete racetracks nationwide
Juggernauts are carving up the countryside
Cars by the million on a one way ride
Using up the future Continue reading →
Genius At Work – Handwritten Lyrics From Led Zeppelin, AC/DC, Paul Simon, Rush, The Beatles and Others
Bob Dylan’s handwritten lyrics to Mr. Tambourine Man
Maybe you’ve wondered; how did some of the greatest songs in the history of rock ‘n’ roll get written? When a creative artist puts pen to paper in a moment of inspiration, what does it look like?
If you are Paul McCartney or Keith Richards, sometimes melodies and words come in a dream.
McCartney’s melody for “Yesterday” was penned right after he dreamed about it. The original words he thought of were very different from the final version. Instead of,
“Yesterday, all my troubles seemed so far away. Now it looks as though they’re here to stay. Oh, I believe in yesterday.”
the words McCartney originally thought of were,
“Scrambled eggs. Oh, my baby, how I love your legs. Not as much as I love scrambled eggs. Oh, we should eat some scrambled eggs.”
MCartney obviously worked on those lyrics for what has become one of the all-time great Beatles songs, with John Lennon apocraphally changing the title to “Yesterday.” Unfortunately there is no trace of McCartney’s original handwritten lyrics for Yesterday.
Keith Richards said he recorded Satisfaction, the breakout song for The Rolling Stones while dreaming as well. Instead of a pen, Richards had a tape recorder by his bed in a hotel while on tour in 1965. In the morning he checked his portable recorder and was surprised it was at the end of the tape. He rewound it to the beginning and discovered he had laid down the main riff and chorus and the words “I Can’t Get No Satisfaction.” He had no memory of actually recording the song, but surmises he woke up while dreaming it and proceeded to record what he had dreamed and went back to sleep! Richards presented the song to the band, and singer Mick Jagger later helped with the lyrics.
Outside of dreams, words come to musicians in a variety of ways. We will not look at the story behind the songs, but the actual drafts of the lyrics to those songs.
Searching the internet for the early drafts of songs with corrections yielded few results. But this assemblage is still interesting to look at.
Jim Morrison singer and poet of The Doors wrote the haunting Riders on the Storm, and it was placed as the last song on the final album Morrison performed on, L.A. Woman. It was also the last song to be recorded for that album.
Interestingly guitarist Robbie Krieger’s name is crossed out. Well, we know Morrison didn’t write the entire melody, but Krieger quite possibly contributed some of the words. It is the only song on the album where all four band members receive writing credit.
Next, Paul Simon of Simon and Garfunkel with The Boxer from the 1970 album Bridge Over Troubled Water. Here you can see Simon’s thought process at work with most of the words never making it into the final version.
Why The New York Yankees Old Timer’s Day Has Become A Joke
1955 Old Timer’s Day (l-r) Frank Home Run Baker, Ray Schalk, Dazzy Vance, Ted Lyons, Gabby Hartnett and Joe DiMaggio (photo: Acme)
Sunday June 25, 2017 the New York Yankees will hold their 71st Old TImer’s Day.
There was a time when baseball’s immortals and Gods showed up at Old Timer’s Day games. Take a look at this video below and you can understand my disappointment at what passes today for Yankees Old Timer’s Day. If you have any sense of the history of baseball, this assemblage of players at Yankee Stadium taped on the field by Greg Peterson in 1982 will blow you away.
Maybe the disappointment stems from the fact that with a few exceptions there are almost no former Yankee players of the Babe Ruth, Joe DiMaggio, Mickey Mantle, Lefty Gomez, Waite Hoyt; Allie Reynolds; Bill Dickey and Yogi Berra caliber still living. The pomp and ceremony of recent Yankees Old Timer’s Day is now somewhat revolting to watch.
Old-Timers Day started with a gathering unlike any other. In 1939 former Yankee teammates of Lou Gehrig gathered to honor him after he had stopped playing due to contracting the illness, (Amyotrophic Lateral Sclerosis) that would eventually take his life and now bears his name. It was at this occasion that Gehrig made his “luckiest man on the face of the earth,” speech.
Starting in the 1940s, Yankees Old Timer’s Day became an annual event where former baseball stars from other teams squared off against former Yankee greats. The players who graced the field at Yankee Stadium to play in a spirited and fun exhibition game were among the best to ever play the game. Over the years other teams held their own Old Timer’s Day. Now the Yankees are the only team in baseball that still holds an Old Timer’s Day .
At previous Old Timer’s Day fans would see opponents such as; Ty Cobb; Lefty Grove; Dizzy Dean; Al Kaline; Stan Musial; Ted Williams; Warren Spahn; Hank Greenberg; Bob Feller; Bill Terry; Pee Wee Reese; Duke Snider; Willie Mays and dozens of other “real” stars.
A collection of Hall Of Fame participants at the 1968 Old Timer’s Day at Yankee Stadium (l-r) Red Ruffing; Bill Terry; Luke Appling; Bill Dickey; Joe Medwick; Frankie Frisch; Pie Traynor; Joe DiMaggio; Bob Feller and Lefty Grove.
As the Hall-of Famer’s and greats started passing away the names showing up at Old Timer’s Day gradually became less glamorous, until they started delving into quasi-stars and then marginal players.
I am not certain when exactly it ended, but the Yankees stopped inviting players from other teams to participate in Old Timer’s Day.
Over the last 15 years, you may have noticed Old Timer’s Day has become a Yankee love-fest of a few former stars such as Paul O’Neil, Roy White, Willie Randolph, Joe Pepitone and a lot of what can best be described as one season wonders or ordinary ex-Yankee players.
There are still some great former Yankee players who show up to participate in the festivities most notably Whitey Ford, Reggie Jackson, Ron Guidry, Goose Gossage and this year a rare visit by Sparky Lyle.
Many of players the Yankees invite to Old Timer’s Day are nondescript. Yankee management must feel that today’s fans prefer seeing some of these “greats” that have participated in Old Timer’s Day over the last few years:
Brian Boehringer; Scott Bradley; Homer Bush; Bubba Crosby; Chad Curtis; Brian Dorsett; Dave Eiland; John Flaherty; Bobby Meacham; Jerry Narron; Matt Nokes; Dan Pasqua; Gil Patterson; Andy Phillips; Aaron Small; Tanyon Sturtze; Marcus Thames and others of that ilk. Continue reading →