Some Highlights Of The Late, Great, “Fast” Eddie Clarke, Guitarist Of Motörhead
The “classic” Motorhead line-up on stage circa 1980 (l-r) Phil Taylor, Eddie Clarke & Lemmy Kilmister photo: Simon Fowler
When “Fast” Eddie Clarke (October 5, 1950 – January 10, 2018), guitarist with Motörhead from 1976-1982 died from pneumonia last week at the age of 67, it closed the book on what many consider Motörhead’s greatest line-up.
In the space of a little over two years, Eddie Clarke, singer-bassist and founder Lemmy Kilmister and drummer Phil “Philthy Animal” Taylor, all died.
The trio put out albums that are considered the high points of Motörhead’s career: Motörhead (1977), Bomber (1979), Overkill (1979), Ace of Spades (1980), No Sleep ’til Hammersmith (Live 1981) and Iron Fist (1982).
After being forced out or leaving Motörhead in 1982 (stories conflict on the departure), “Fast” Eddie formed Fastway with bassist Pete Way of UFO. Continue reading →
Heartbreak Pair in New Air Epic – William Holden reaches new stellar heights as a flying cadet whose career is temporarily shattered through his love for Veronica Lake in Paramount’s “I Wanted Wings” an Arthur Hornblow, Jr., production based on the Army Air Corps training and tactics. Blonde and sultry newcomer, Miss Lake, plays menace in piece. photo – Paramount studios
William Holden – “The best actors I know have no style but that of genuine professionalism. They act each role according to the script. And if they do have a style, it is so much a part of their personality it can’t be noticed.” (Atlanta Constitution April 22, 1956)
If you hear people lament that today’s movie stars don’t stack up to the old stars, there are probably many reasons for the lack of charisma or star power today. Regardless of their approach to acting, the old-time Hollywood stars all had one thing in common: they came through the studio system, where they were trained and “groomed” to be and act like movie stars. How each actor accomplished that varied from actor to actor.
Whatever techniques they used to develop their acting style; “The Method,” “Chekhov,” or simply showing up and knowing your lines, movie stars usually could provide philosophy or insight into their craft when being interviewed by the press. Whether they had honed their skills on the legitimate stage or come straight from a farm, to be a star you had to learn and understand something about acting.
Here are twelve old time movie stars expressing their views, sometimes simply, other times with great insight about acting.
Veronica Lake – “I’m no great actress. I just had a movie job dumped into my lap, the public seemed to like me, and that’s all there was to it.” (Wide World Features May 3, 1942)
Rod Steiger – “Good acting is like good love-making. Leave yourself alone and explore. Do it. Don’t watch yourself do it. Don’t think about yourself doing it. You just go from moment to moment. But don’t take anything for granted either, especially not in acting. That’s when you get your ass kicked.” (Los Angeles Times September 15, 1994)
Yul Bryner – “I’m not of the can-kicking, shovel-carrying, ear-scratching, torn T-shirt school of acting. There are very few real men in the movies these days. Yet being a real man is the most important quality an actor can offer on the screen.” (Detroit Free Press April 27, 1958)
Paul Muni – “Acting is a scientific art. It’s a matter of trial and error. You try out your effects like a man who is experimenting on a new chemical formula. I enjoy the experimenting.” (Boston Globe Feb. 6, 1949)
Barbara Stanwyck on reluctantly accepting the role of the “no good” Phyllis Dietrichson in Double Indemnity – “Once I said yes I was awfully glad. During the making of it Fred (MacMurray) would go to the rushes. I remember once the next day he said, ‘You’re not acting, you’re enjoying it.’ And I remember saying ,’Fred, really, how was I?’ And very candidly he looked at me and said, ‘I don’t know about you- but I was wonderful!’ And that was such a true remark. Actors only look at themselves.” (Los Angeles Times April 5, 1987)
Spencer Tracy – “I’ve always played the same character. Larry Olivier says the way to act is learn your lines and get on with it. I’m Spencer Tracy with some deference to the character. When a person says he’s an actor – he’s a personality. The whole idea is to show your personality. There are people who are much better technically, but who cares? Nobody cares.” (Los Angeles Times November 18, 1962) Continue reading →
Rudolph Valentino Is Not Acting, He’s Actually In Court – 1925
Rodolfo Alfonso Raffaello Pierre Filibert Guglielmi di Valentina d’Antonguella – aka Rudoplh Valentino, one of the world’s biggest film stars in 1925.
As big as a film star Valentino was it would not prevent him from being compelled to show up in court against his wishes to answer a speeding violation. His crime: going 38 in a 20 mile per hour zone in Santa Monica.
The news caption reads:
Valentino in Court in Screen Costume – Fined $50
Rudolph Valentino, failing in an attempt to have a representative answer speeding charges in court asked to have court held at his studio pleading business pressure. Justice Marchetti became angered demanded Valentino’s appearance and fined him $50. Photo of “The Sheik” in the costume of his latest screen vehicle – 9-11-25 (photo Wide World)
Valentino was not being a prima donna asking the court to come to the studio. Shutting down production for one day of the film he was starring in, “The Eagle” would cost $10,000. More importantly the people who could least afford it, all the extras involved in the filming, would have lost a days wages
On September 8 Justice Marchetti said, “I am sorry that anyone should lose money or be inconvenienced, but the court can show no partiality. Before the law a famous actor is in the same situation as anyone else. The dignity of the law would be compromised, the courts would be made a laughing stock, were I to set up legal machinery in a studio.” Continue reading →
Though there is a band called AC/DC and they are still recording and touring, the 2008 Black Ice album was the last that Malcolm Young had a hand in writing. Musically, that is what is important.
Guitar players are replaceable. Great songwriters are not.
As great as a rhythm guitar player he was, writing music is what Malcolm Young did best.
Not just writing amazing songs, but incredible memorable riffs and jaw dropping solos performed by his brother Angus. They are deceptively simple, yet undeniably catchy songs and riffs that changed rock n’ roll and influenced, and will continue to influence generations of musicians.
Proof? Listen to the magical 1977 AC/DC album Let There Be Rock.
As hard as it may be, ignore Bon Scott’s brilliant tongue in cheek lyrics and just listen to the main riff of every song.
How many rock albums have two memorable songs? Let There Be Rock has, “Go Down”, “Dog Eat Dog” ,”Let There Be Rock”, “Bad Boy Boogie”, “Problem Child”, “Overdose”, “Hell Ain’t a Bad Place to Be”, and “Whole Lotta Rosie”. Eight catchy songs, heard once – remembered forever.
Lead guitarist Angus Young, the only remaining original band member, has continued AC/DC.
I feel sorry for Angus Young. Angus certainly keeps AC/DC going not for the money, but because honestly what else is there for him to do? An entertainer, a performer has a need to perform.
However without retired bassist Cliff Williams, the unceremoniously dispatched lead singer Brian Johnson and drummer Phil Rudd and the late rhythm guitarist and main songwriter Malcolm Young, this is not AC/DC.
This is like calling Paul McCartney and his recent 2017 touring band The Beatles. It’s not and McCartney knows better.
The touring AC/DC is is basically a juggernaut of explosions, lights,and sound. Even with the great Angus Young heading them up, AC/DC are truthfully now no better than an AC/DC tribute band.
How many post-1982 songs were in AC/DC’s live set list in 2016 with Axl Rose on lead vocals? Continue reading →
Lillian Gish – An Eight Decade Career in Entertainment
Lillian Gish, whom George Jean Nathan the eminent critic, has termed “the finest actress in motion pictures”, has again scored a signal triumph by her characterization of “Romola” in the Inspiration company’s production of George Eliot’s celebrated novel of the same name. Miss Gish spent a year in Florence, Italy making this picture, under the direction of Henry King. Photoplay reviewers have classed her work in “Romola” as fine as that of “The White Sister”. “Romola is a Metro-Goldwyn release. October 20, 1925
For longevity there are few stars that can rival Lillian Gish (October 14, 1893 – February 27, 1993).
The star of D. W. Griffith’s legendary Birth of a Nation (1915), Gish made her stage debut in 1898 and her final movie The Whales of August in 1987. In between those many years, Gish alternated between the stage, movies and television.
In 1914 theatrical producer David Belasco was quoted as saying that Lillian Gish “is the most beautiful blond he had ever seen.”
George Jean Nathan the critic who provided the quote in the news caption above was in love with Lillian Gish and the two dated for many years. In April 1925, Variety, the weekly theatrical paper, reported that the two were engaged to be married. Similar reports emerged in 1927. Gish and Nathan never married and no reason or announcement was ever provided except that they were just “good friends.” Continue reading →
Was Game 5 Of The 2017 World Series The Greatest World Series Game Ever Played?
How Many Were Still Watching When The Game Ended At 1:40 am EST?
WORLD SERIES game 5 2017 1:39 A.M EST
I started watching game five of the World Series with the Houston Astros and Los Angeles Dodgers on Sunday night.
It looked like it was going to be a great game. The Astros had overcome two deficits and at 11:30 pm the score was tied 7-7 and it was only the sixth inning.
But like most people on the east coast who had to get up for work in the morning, it was getting near time to turn in for the night.
Some children might get a pass and be allowed to stay up til midnight, but not many, because there is school the next day. And the adults? As much as they want to watch, they know they have real life obligations that require not being exhausted the next morning.
Over 19 million people watched the game but viewership peaked between 11:45 – midnight EST. After that, a steady drop-off in viewers occurred as the game went on and on.
The winning run – game 5 2017 World Series
It did not surprise me that the game ended with a dramatic 13-12 Astros extra inning victory. What was surprising was that the game lasted until 1:40 in the morning. Total time of the game: five hours and seventeen minutes!
How many millions of people missed seeing this great game because of how long it lasted and its starting time? We’ll never know. All I know is that I did not see its conclusion, nor did any of my friends.
As I will continue to point out in story after story, Major League Baseball needs to get their priorities straightened out.
Why a Sunday World Series game was not played during the daytime is simply because FOX TV gets to dictate the start time and derive maximum advertising revenue. Money is more important than the future of the game. Continue reading →
Watching the game from center field – the only way an entire generation of TV director’s have decided to televise baseball
Here are just a few of the ways television has helped to ruin watching baseball. None of the corrective suggestions will be heeded, but someone has to point it out.
1 – The camera angles
Guess what? About 80% of the time you’re not watching baseball. What you are seeing is four guys – a pitcher’s back, a catcher, a batter and an umpire.
What kind of a lead is the runner taking? Where are the outfielders shaded? Is the overused shift in effect? Where was that ball hit? Is it going to be a hit?
How would we know? The audience rarely sees any other part of the field except from the center field camera.
Unless you attend games in person and sit in center field with a high power telescope, this is not the way anyone views an entire baseball game. Nor should it be the way to televise one.
It would be nice to see the return of the overhead mezzanine high camera from behind the catcher so we can see the whole field.
So here are two angles from behind the plate – one high and wide the other not as high. Both of these camera angles are more conducive and infinitely superior to the view you see on most broadcasts.
2- The busy screen
I don’t know about most people but I want to watch a baseball game, not be diverted by ads and a constant scroll of information.
While not every channel is guilty of the news scroll on the bottom of the screen, your view is still cluttered with unnecessary information.
Watching the World Series there are no other scores or news to scroll on the screen so you won’t see the scroll there. Yet that doesn’t stop clutter.
Showing “Fox World Series Game 1” in the upper right hand portion of the screen for the ENTIRE game? Does the score, runners on base, balls and strikes, number of pitches, pitch speed and all other sorts of information need to be shown every second of the game?
Go watch a game from the 1980’s or earlier. How did people enjoy the first 40 years of baseball telecasts with justhaving the game and nothing else on the screen? Quite well.
With the exception of a few local broadcast outlets, most networks televising baseball have adapted their own version of a strike zone box. And it’s getting to be de rigueur instead of a special feature.
This horrible innovation that began a few years ago is an artificial rectangular box on the TV screen surrounding home plate, that supposedly identifies the strike zone and differentiates strikes from balls. Unfortunately it is in the direct line of sight of the television viewer.
Before Radio Or Television If You Didn’t Have A Ticket To The World Series – You Could Still Watch It On The Play-O-Graph
Advertisement for the “wonderful Automatic Play-O-Graph” – Philadelphia Inquirer Oct. 13, 1911
In August, 1911 with $10,000 capital, John W. Baker, Henry H. Abbott and Sumner Ford incorporated the Baseball Play-O-Graph Company in Stamford, Connecticut. The men devised a way of transmitting the actions of sporting events “live” through telephone and telegraph.
The depiction of baseball games through mechanical means had been accomplished previously, but not showing the track of the ball, which was what made the Play-O-Graph unique. The Play-O-Graph would show the action without the aid of electric lights.
Baseball fans congregate outside the New York Herald Building during the 1911 World Series
In October of 1911 the American League champion Philadelphia Athletics lead by manager Connie Mack would play John McGraw’s New York Giants for the World Championship.
Giants manager John McGraw (l) and catcher Chief Myers (r) at Polo Grounds before 1911 World Series.
There were a couple of oddities in the 1911 World Series. Each game alternated cities with games one, three and five being played in New York and games two, four and six played in Philadelphia. The other strange occurrence was that there was a one week delay between games three and four as a deluge of rain hit Philadelphia for six straight days.
After inspecting the field for playability causing the fifth straight postponement of game four, umpire Bill Klem joked, “There was a pool around second base big enough for a diving exhibition by (swimming champ) Annette Kellerman. I was unable to locate the home plate for the lack of a diving apparatus. The outer gardens would make excellent pasturage for a herd of hippopotami.”
Both teams were considered evenly matched and felt confident they could win the series. Since 1904 each team had won three pennants.
Line outside the Polo Grounds at 7:00 am to buy tickets for game 3 of the 1911 World Series. photo: Bain
When tickets for the opening game of the World Series went on sale on Friday, October 13 at the Giants home field, the Polo Grounds all the tickets were gone within two hours. After the sell-out, the regular ticket price of three dollars shot up to five, six, seven and eventually eight dollars from speculators (scalpers) who had scooped up as many tickets as possible.
With over 38,000 fans cramming the ballpark it would be difficult to see the game without a ticket.
That would be where the Play-O-Graph would come into use. Setting up their machines at four locations in the United States, fans could see the game as it transpired.
“When the pitcher pitches the ball and when the batter hits it and when he is thrown out, is all shown upon the Play-O-Graph. Every move of the game is made clear to the spectator who watches the ball as it moves from place to place upon the board,” the company proclaimed.
The company installed two boards in New York, one in Chicago, one in Detroit and one in Philadelphia. Continue reading →
Judy Garland and Future Husband Vincente Minnelli At The Stork Club In New York 1945
Judy is altar bound again
Hollywood, CA – Screen actress Judy Garland has announced that she and director Vincente Minnelli will be married in New York City, at the Little Church Around The Corner, in June. The exact date has not been set, but it will be soon after June 7th when Judy’s divorce from composer Dave Rose becomes becomes final. The couple is shown together during a recent visit to the Stork Club, in New York. (4-23-45) credit: Acme
Garland, age 23 and Minnelli age 42 had worked together on Meet Me in St. Louis (1944) and The Clock (1945). The couple wedded on June 15, 1945 not in New York, but at Judy’s mother Ethel’s home 750 South Ogden Drive in Los Angeles. It was Garland’s second of an eventual five marriages. Continue reading →
Once upon a time there were seven television channels to choose from in New York City. Before 1977 and the wide introduction of cable television every kid experienced the same TV shows and could talk about them with their peers.
Gilligan’s Island; I Dream of Jeannie; Mr. Ed; F-Troop; Green Acres; Bonanza, Star Trek, Family Affair; I Love Lucy; Batman; The Brady Bunch and so on. If it was being rebroadcast after school in syndication we saw it. That means kids also had little to choose from. Which means kids watched many bad TV shows. And that’s why I saw Hazel.
Hazel was one of the most annoying television series from the 1960s.