John Fogerty, Fortunate Son & Survivor Of The Cutthroat Music Industry
The Story Of Creedence Clearwater Revival’s Leader
“I am a bit of a control freak,” admits John Fogerty in his autobiography Fortunate Son: My Life My Music (Little, Brown & Co. – 2015).
It’s a justifiable sentiment, because if John Fogerty was not a control freak, Creedence Clearwater Revival (CCR) would never have become one of the most popular rock bands in the world.
Many CCR fans may be unaware, that Fogerty‘s bandmates; bassist Stu Cook, drummer Doug “Cosmo” Clifford and Fogerty‘s older brother, rhythm guitarist Tom Fogerty, until CCR’s final album, contributed nothing to the band in terms of music, lyrics, production, mixing and arrangements of songs. Without John Fogerty, Creedence Clearwater Revival was nothing, according to Fogerty.
While that may sound like a self-inflated opinion, it is probably more of an objective fact. Between 1968 to 1972, John Fogerty as lead singer, sole songwriter, lead guitarist, arranger and producer, garnered over 20 hit singles and millions of album sales. CCR’s commercial success during that time was rivaled by no one except the Beatles and possibly Led Zeppelin. Continue reading →
Young Jackie Cooper Signs A Big Contract With MGM – 1931
Hollywood, Calif – Jack Cooper, seven-year-old hero of “Skippy” and the most promising youngster in Hollywood is earning the distinction of being the youngest star to have a long term contract as he prepares to put his “John Hancock” on the important looking document being held by Luis B. Mayer, vice-president of a leading motion picture company. While the salary was not disclosed it is believed there was an unprecedented number of naughts after the first figure to make him the highest paid youngster in the United States. His first thought after walking around the movie lot following the signing was to organize a football team. – (credit: International Newsreel Photo, June 9, 1931
Being a minor Jackie Cooper could not legally sign his contract, his parents were the real signers. Continue reading →
Foghat Gives An Incredible Live Performance – 1974
Why is it that the 1970s produced dozens of incredibly talented rock bands?
Certainly one reason is creative singer-songwriters proliferated and produced songs that have stood the test of time.
Foghat c. 1974 standing: Tony Stevens, front l-r “Lonesome Dave” Peverett, Rod Price, Roger Earl photo: London Features
Foghat was one of the many bands that came from England and triumphed in America. Today it has been forgotten that Foghat was among the top grossing live bands of the 70s. Even with one double platinum and eight gold records, Foghat today have been mostly bypassed in rock history as a novelty boogie rock band.
Throughout the 1970s their albums and live performances won praise from music fans. Foghat was constantly heard on FM stations. Radio staples like Slow Ride and Fool For The City are still played today.
And boy could they put on a live show. Foghat were simply beasts on stage in front of an audience.
In this fantastic 1974 version of the Willie Dixon penned blues classic I Just Want To Make Love To You, Foghat makes eleven minutes go by awfully fast. Foghat looks like they are having the best time ever being in a rock band.
This is one incredible exuberant, fun and blistering performance from Don Kirshner’s Rock Concert. Unfortunately the narcoleptic audience doesn’t realize what they are seeing regardless of the added applause track.
New York City – A fancy stepping cowboy band and cowboys and cowgirls in their bright-colored shirts parade before children patients of Bellevue Hospital as they visit the hospital to stage their rodeo which is now appearing in Madison Square Garden. 10/14/1937 credit Wide World Photos
Over 3,000 people, mostly children, watched this performance at Bellevue Hospital on October 14, 1937. If you are wondering exactly where this took place, it is the rear yard of Bellevue at 29th Street facing the river. The East River Drive (renamed FDR after 1945) portion of the highway behind Bellevue had not been constructed yet. The hospital grounds had quite a bit of room to hold a rodeo. Continue reading →
Boris Kosović, Multi-Talented Rocker In A Band That Shunned The Spotlight, Dies
Boris Kosović founder, lead singer and guitarist of Gruhak, in an undated photo
(We wrote a story about the amazing Croatian band Gruhak, in 2016 that can be read here.)
Boris Kosović the energetic vocalist-guitarist and sole remaining original member of the band Gruhak died on Thursday, September 20 in Dubrovnik, Croatia. He had been battling cancer for a year and a half. Kosović was 40-years-old.
Just before posing for a formal photograph, an unnamed Globe photographer captured this informal moment. This photograph was unpublished until now. Flanking the seated Lucille Ball are (l-r) Milton Berle, George Burns, Jack Benny, Bob Hope, Groucho Marx and longtime Lucy co-star Gale Gordon.
The only one who seems ready for this photo is Lucy. Everyone else is completely distracted.
How do you take heavy metal music and turn them into lullabies?
Until the other day I wouldn’t have known.
Still, I’m quite aware, popular music can be given any type of rendition.
Once about 20 years ago at the venerable Strand bookstore, I heard classical music being played over their sound system. I wasn’t paying close attention to the song. But I started listening closer. It sounded familiar, yet I couldn’t distinguish exactly what was being played. After about two minutes it hit me – it was Metallica and the song Harvester of Sorrow! That was the first time I heard Apocalyptica, a classical group comprised of cellists and they had recorded entire albums covering Metallica.
So it was only a matter of time before someone came up with the bright idea of making lullabies out of heavy metal songs. Hence, I recently discovered Iron Maiden tunes done as lullabies. The question you might ask is, why?
Does it matter?
If you like Iron Maiden, this should put a smile on your face, The first song I heard was The Trooper.
Never Send Mom To The Record Store To Buy A Record – A True Story
There was a time when the only way to buy music was to purchase it on tape or vinyl, usually at a record or department store. The year was 1983 and a friend of mine, Kyle worked in the local record store.
His knowledge and love of rock n’ roll led him to pursue this part-time minimum wage position to help support his college tuition.
Kyle’s job was to stock the store with new product as it came in and help customers with any needs.
So one day as Kyle is sorting vinyl he notices a middle-aged woman looking at the bins that hold the records. She was obviously not finding whatever it was she was searching for in the “R” section.
Kyle approached the woman, smiled and said. “Can I help you find something?”
“Oh, yes,” the woman replied, “my son sent me to buy the new rubber plant record, but I can’t seem to find it.”
Kyle’s eyebrows went up and he repeated the name to her, “rubber plant?”
“Yes, rubber plant,” the woman confirmed distinctly emphasizing-the last r in rubber. Continue reading →