How Martin Birch Helped Iron Maiden’s Bruce Dickinson
Iron Maiden 1982 (l-r) Clive Burr, engineer Nigel Green, Dave Murray, Martin Birch, Bruce Dickinson, Steve Harris, Adrian Smith photo via The Walk of Fame
Martin Birch, the music producer who worked with more than a score of rock’s legendary groups died Sunday, August 9, 2020 at age 71. No cause of death was announced. He leaves behind his wife Vera and daughter Haley. Continue reading →
Five Of The Greatest & Least Known UK Hard Rock Songs (Unless You’re a Fan Of The Band)
Slade on stage photo Paul Cox
I’ve seen hundreds of rock bands live. Working in the music industry afforded me a close-up look at greatness. Unfortunately many times the public does not recognize, let alone buy greatness. Continue reading →
The Original Def Leppard, LIVE In 1980 Perform Almost The Entire On Through The Night LP
Def Leppard Was Once A Heavy Metal Band: Then They Started Writing Pop
Their Main Hard Rock Songwriter & Guitarist Was Fired
Can We Forget About The Past?
Here is Pete Willis and the original Def Leppard performing almost in its entirety, one of the ten greatest debut rock albums of all-time.
UPDATE JULY 8. 2020 – No surprise, you will not see the video. For now it has been pulled by original poster – FresnoMediaRestoration. I wonder why??? Hmmmmm.
UPDATE JULY 21 – The video is back! (For now…)
When Def Leppard recorded their first major label album, they were a heavy metal band though they never called themselves that.
l-r Rick Savage, Joe Elliott, Pete Willis, Rick Allen & Steve Clark c 1980
It was 1980 and Def Leppard had just been signed to a deal with Mercury Records. They were signed on the basis of what three years of honing and craft perfection had wrought – On Through The Night. Previously in 1979, the band printed its own EP and sold an astounding 18,000 copies.
Within the music industry, in order for any band to get a record deal, the band must put forth only their best material. And that is what On Through The Night is. Eleven mostly blistering songs played at a frantic pace with songwriting that displays an ear for catchy and memorable songs.
Here’s the most incredible thing about this video performance of that first album — singer Joe Elliott is 21, guitarists Steve Clark & Pete Willis are 20, bass player Rick Savage is 19 and drummer Rick Allen is – are you kidding me? — 16!!!!
Dizzy and Daffy, those two Dean boys. Paul on the left looks a little skeptical as Dizzy shows his brother the way a ball is held for a “hook”. Just before the Giants and Cardinals got going March 15 at Flamingo Park, Miami Beach, Florida, these two boys held a chat on the bleachers. The Giants defeated the Cardinals 2-0. — 3/17/1935 Associated Press Photo
In the history of Major League Baseball there have been many brothers who have each taken the mound to be pitchers. For both of them to be successful however, is another story. Continue reading →
Never Send Mom To The Record Store To Buy A Record – A True Story
There was a time when the only way to buy music was to purchase it on tape or vinyl, usually at a record or department store. The year was 1983 and a friend of mine, Kyle worked in the local record store.
His knowledge and love of rock n’ roll led him to pursue this part-time minimum wage position to help support his college tuition.
Kyle’s job was to stock the store with new product as it came in and help customers with any needs.
So one day as Kyle is sorting vinyl he notices a middle-aged woman looking at the bins that hold the records. She was obviously not finding whatever it was she was searching for in the “R” section.
Kyle approached the woman, smiled and said. “Can I help you find something?”
“Oh, yes,” the woman replied, “my son sent me to buy the new rubber plant record, but I can’t seem to find it.”
Kyle’s eyebrows went up and he repeated the name to her, “rubber plant?”
“Yes, rubber plant,” the woman confirmed distinctly emphasizing-the last r in rubber. Continue reading →
Clint Eastwood Reprises His Role As “Dirty Harry” For The Fourth Time – 1983
Megastar Clint Eastwood is soon to be seen again in his hard-hitting role as Dirty Harry. He will be starring in an explosive new thriller called “Sudden Impact”, that will mark the 4th film about tough, unconventional detective Harry Callahan. This time, in a change of situation, Dirty Harry finds himself the target of an assassination attempt while working on a particularly nasty murder case. The first film built upon the character was “Dirty Harry”, and came to the screen in 1971. This was followed by “Magnum Force” in 1974, and “The Enforcer” in 1977. Shot mainly on location in San Francisco, the film is described as an action-packed thriller. Clint Eastwood, who also directs this production, holds the distinction in the film industry as being the biggest box-office grosser throughout the world. He is seen here disrupting a robbery attempt in the new film. photo: Bandphoto 1983
Sudden Impact was the only time Clint Eastwood undertook directorial duties in the Dirty Harry franchise. The movie spawned one of the most memorable quotations Continue reading →
Some Highlights Of The Late, Great, “Fast” Eddie Clarke, Guitarist Of Motörhead
The “classic” Motorhead line-up on stage circa 1980 (l-r) Phil Taylor, Eddie Clarke & Lemmy Kilmister photo: Simon Fowler
When “Fast” Eddie Clarke (October 5, 1950 – January 10, 2018), guitarist with Motörhead from 1976-1982 died from pneumonia last week at the age of 67, it closed the book on what many consider Motörhead’s greatest line-up.
In the space of a little over two years, Eddie Clarke, singer-bassist and founder Lemmy Kilmister and drummer Phil “Philthy Animal” Taylor, all died.
The trio put out albums that are considered the high points of Motörhead’s career: Motörhead (1977), Bomber (1979), Overkill (1979), Ace of Spades (1980), No Sleep ’til Hammersmith (Live 1981) and Iron Fist (1982).
After being forced out or leaving Motörhead in 1982 (stories conflict on the departure), “Fast” Eddie formed Fastway with bassist Pete Way of UFO. Continue reading →
Though there is a band called AC/DC and they are still recording and touring, the 2008 Black Ice album was the last that Malcolm Young had a hand in writing. Musically, that is what is important.
Guitar players are replaceable. Great songwriters are not.
As great as a rhythm guitar player he was, writing music is what Malcolm Young did best.
Not just writing amazing songs, but incredible memorable riffs and jaw dropping solos performed by his brother Angus. They are deceptively simple, yet undeniably catchy songs and riffs that changed rock n’ roll and influenced, and will continue to influence generations of musicians.
Proof? Listen to the magical 1977 AC/DC album Let There Be Rock.
As hard as it may be, ignore Bon Scott’s brilliant tongue in cheek lyrics and just listen to the main riff of every song.
How many rock albums have two memorable songs? Let There Be Rock has, “Go Down”, “Dog Eat Dog” ,”Let There Be Rock”, “Bad Boy Boogie”, “Problem Child”, “Overdose”, “Hell Ain’t a Bad Place to Be”, and “Whole Lotta Rosie”. Eight catchy songs, heard once – remembered forever.
Lead guitarist Angus Young, the only remaining original band member, has continued AC/DC.
I feel sorry for Angus Young. Angus certainly keeps AC/DC going not for the money, but because honestly what else is there for him to do? An entertainer, a performer has a need to perform.
However without retired bassist Cliff Williams, the unceremoniously dispatched lead singer Brian Johnson and drummer Phil Rudd and the late rhythm guitarist and main songwriter Malcolm Young, this is not AC/DC.
This is like calling Paul McCartney and his recent 2017 touring band The Beatles. It’s not and McCartney knows better.
The touring AC/DC is is basically a juggernaut of explosions, lights,and sound. Even with the great Angus Young heading them up, AC/DC are truthfully now no better than an AC/DC tribute band.
How many post-1982 songs were in AC/DC’s live set list in 2016 with Axl Rose on lead vocals? Continue reading →
Genius At Work – Handwritten Lyrics From Led Zeppelin, AC/DC, Paul Simon, Rush, The Beatles and Others
Bob Dylan’s handwritten lyrics to Mr. Tambourine Man
Maybe you’ve wondered; how did some of the greatest songs in the history of rock ‘n’ roll get written? When a creative artist puts pen to paper in a moment of inspiration, what does it look like?
If you are Paul McCartney or Keith Richards, sometimes melodies and words come in a dream.
McCartney’s melody for “Yesterday” was penned right after he dreamed about it. The original words he thought of were very different from the final version. Instead of,
“Yesterday, all my troubles seemed so far away. Now it looks as though they’re here to stay. Oh, I believe in yesterday.”
the words McCartney originally thought of were,
“Scrambled eggs. Oh, my baby, how I love your legs. Not as much as I love scrambled eggs. Oh, we should eat some scrambled eggs.”
MCartney obviously worked on those lyrics for what has become one of the all-time great Beatles songs, with John Lennon apocraphally changing the title to “Yesterday.” Unfortunately there is no trace of McCartney’s original handwritten lyrics for Yesterday.
Keith Richards said he recorded Satisfaction, the breakout song for The Rolling Stones while dreaming as well. Instead of a pen, Richards had a tape recorder by his bed in a hotel while on tour in 1965. In the morning he checked his portable recorder and was surprised it was at the end of the tape. He rewound it to the beginning and discovered he had laid down the main riff and chorus and the words “I Can’t Get No Satisfaction.” He had no memory of actually recording the song, but surmises he woke up while dreaming it and proceeded to record what he had dreamed and went back to sleep! Richards presented the song to the band, and singer Mick Jagger later helped with the lyrics.
Outside of dreams, words come to musicians in a variety of ways. We will not look at the story behind the songs, but the actual drafts of the lyrics to those songs.
Searching the internet for the early drafts of songs with corrections yielded few results. But this assemblage is still interesting to look at.
Jim Morrison singer and poet of The Doors wrote the haunting Riders on the Storm, and it was placed as the last song on the final album Morrison performed on, L.A. Woman. It was also the last song to be recorded for that album.
Interestingly guitarist Robbie Krieger’s name is crossed out. Well, we know Morrison didn’t write the entire melody, but Krieger quite possibly contributed some of the words. It is the only song on the album where all four band members receive writing credit.
Next, Paul Simon of Simon and Garfunkel with The Boxer from the 1970 album Bridge Over Troubled Water. Here you can see Simon’s thought process at work with most of the words never making it into the final version.