The Bustle Of New York City’s Garment District 1938
That district is now a shadow of its former self. Continue reading
That district is now a shadow of its former self. Continue reading
(Update August 2, 2018 – Sadly, Mary Carlisle died on August 1, 2018, three weeks after this story was written.)
While she is not a household name, Mary Carlisle appeared in many films in the 1930s, including co-starring with Bing Crosby in three of his films.
With 65 films to her credit from 1923 -1943, Mary Carlisle is among the last survivors of Hollywood’s golden age of film.
Born in Boston on February 3, 1914, Carlisle started appearing regularly in movies at age 16 in 1930, mostly as an uncredited extra. Of the thousands of actresses vying for stardom in the 1930s, Carlisle’s talent and looks helped her rise in the ranks quickly.
Between 1922 -1934 the Western Association of Motion Picture Advertisers (WAMPAS) had a publicity campaign, where they annually named the young movie actresses they believed were on the cusp of motion picture stardom. Carlisle received a big boost in her career by being chosen a WAMPAS baby star for 1932. Among the 14 other actresses chosen that year by WAMPAS were Ginger Rogers, Gloria Stuart and Eleanor Holm.
Carlisle got a big build up from MGM and made dozens of films throughout the 1930s, not surprisingly cast as a stereotypical “nice girl” pretty blond. Continue reading
Here is the early 20th century’s royal family of acting, the Barrymore’s, Lionel, Ethel and John.
Each a star in their own right, first on the stage and later in films. Yet the trio only appeared in one movie together, Rasputin and the Empress (1932).
The Clan Barrymore
When John, Ethel and Lionel Barrymore came together to play in M-G-M’s “Rasputin”, it made possible the first reunion of the entire family. Above photo shows the Barrymore reunion in Hollywood. Left to right- front row: Mrs. Lionel Barrymore (Irene Fenwick), holding John Blythe, son of John Barrymore; Lionel Barrymore, Ethel Barrymore, Mrs. John Barrymore (Dolores Costello) with Ethel Dolores Barrymore, her daughter; and Ethel Barrymore Colt, daughter of Ethel Barrymore. In rear are left to right: John Barrymore Colt (left) and his brother, Samuel Colt, with John Barrymore standing between the two. credit: Acme 9/20/32
This photograph was taken at John Barrymore’s home in early September 1932.
Interestingly before this film, the three actors had never even appeared together in the same play.
Rasputin and the Empress as the film was re-titled, marked Ethel Barrymore’s (1879-1959) first talking film. Her stage popularity was such that she wouldn’t appear in another film until 1944 (None But The Lonely Heart). After 1944 Ethel would appear regularly in motion pictures, making 20 more movies until her retirement in 1957.
After MGM signed Ethel Barrymore to appear in Rasputin, brother Lionel Barrymore (1878-1954) was asked to comment and said, “Great! And tell me what poor benighted and unlucky individual is to direct this opus in which all three of us are to act together?” Continue reading
Yankee Stadium on opening day April 14, 1931. Yankees versus the Red Sox. Happenings before and during the game.
What makes it so unusual is that the film crew was experimenting with syncing the sound to the action. So there are microphones recording what was being said or the resonant sounds of baseball. The players don’t quite know what to say when asked to speak. The natural sounds of the ballpark are just so different from today.
Batting practice with Babe Ruth and Lou Gehrig. Mayor Jimmy Walker throws out the first ball. An IRT train passes and stops beyond the left field bleachers. Everyone in the stands is well dressed as you’d expect. Large signs remind everyone that “Betting is prohibited.”
The lack of technology is pure pleasure. The advertising is on billboards same as now, but no ads or deafening music being blasted from speakers. Your visual senses are not assaulted by a jumbotron. Fans look at the field, no distractions.
No P.A. system. A guy with a megaphone comes out and announces each team’s battery – a term rarely used today – for pitcher and catcher.
Then there is not only a patriotic marching band entertaining fans, but all the players from both teams march along with the band.
The game itself is great to see, but the things you notice while the game is going on seem so foreign to a modern viewing audience. Continue reading
There are not many 87-year-olds that look this good.
The remarkable Empire State Building may no longer be the tallest building in the world or New York City for that matter, but it still is one of the most iconic and beautiful.
The Empire State Building opened May 1, 1931. Dedicating the Empire State Building, President Herbert Hoover pressed a symbolic button in the White House that put on all the lights in the building. (A worker in New York actually turned on the lights.)
Still under construction at the end of 69th Street and York Avenue are the art deco inspired buildings of New York Hospital-Cornell Medical College. The hospital began construction in 1929 and was opened in September 1932. What had previously been the site of the Central Brewing Company and some row houses, became the home of buildings that housed New York Hospital, Cornell University Medical College, New York Hospital School of Nursing, and the Payne Whitney Psychiatric Clinic.
On the right side of 69th street is the Roman Catholic Church of St. Catherine of Siena. The church had been located there since 1897 and was soon to be demolished. The congregation moved to a new building on East 68th Street in 1932.
Even with the paucity of pedestrians and traffic on 69th Street, there is activity near the church. Continue reading
Every time I’m in Brooklyn and gaze across the East River at the lower Manhattan skyline I feel I’m looking at a city I don’t recognize.
It’s not because I’m old, but it might be because the buildings that have been going up since the late 1950s are cut from the same mold, glass sheathed pinnacles with no flourishes, adornments or personality.
For the first half of the twentieth century, when you came upon New York whether by ship, train or car and got your first glimpse of the skyline you knew you were coming into New York City.
For a native New Yorker coming upon New York today, you may as well be entering the architectural equivalent of the Mall of America, any-city USA. Examples sprout up everywhere of New York’s architectural monstrosities, ugly and tall for the sake of being tall.
The skyline of lower Manhattan had remained pretty much static from 1931 through 1957 Continue reading
The rich get richer and the poor get poorer is a theme that has played out time and again over the course of American history.
The Great Depression put millions of Americans out of work. It wasn’t just about the rich versus the poor. It was about survival and a serious shortage of jobs.
Eighty years ago today, this is how a jobs protest was described as it reached Wall Street: Continue reading
Are you one of the people who think that today’s juvenile delinquents are coddled and the justice system is too soft on petty crime? Maybe we should bring back “the good old days,” when corporal punishment and tough jail sentences were the norm for youthful offenders?
Then you might be surprised to learn that even during hard times 80 years ago, many people found the idea of beating children to be abhorrent, especially when ordered by a court of law.
If the goal of justice is to have the punishment equal the crime, then the sentence meted out by a New York magistrate did not go over very well with the public.
The Leather of the Law
New York, NY — In accordance with the orders of Magistrate Overton Harris, Mrs. Mary Bradley applies the strap to her son, Tommy who was one of eight Textile High School boys believed to have pulled the whistle cord on a New York subway train. Thomas and another boy were the only ones of the eight who didn’t run from the train. When young Bradley appeared with his mother in court, Magistrate Overton Harris ordered Mrs. Bradley to “prove to me on Thursday night that you gave your son a good thrashing or I’ll send him to jail.” Although Mrs. Bradley believed her son’s protestations of his innocence she is shown obeying to the letter of the law. credit line Acme – 5/25/1938
Judge Harris had also said to Mrs. Bradley, “Get a paddle, bore some holes in it, and make welts on the boy. Do you think you can do it?”
Despite this photographic evidence above, Mrs. Bradley, a widow living at 100 W. 96th Street, did not thrash her 16-year-old son. Continue reading
Seven years ago we featured the art work of Luigi Kasimir.
In the first half of the 20th century Kasimir was admired by peers and critics in the art world. His name has been forgotten in the 21st century by most people, except New York art aficionados.
Luigi Kasimir was born in 1881 in the Austrian-Hungarian Empire and later came to New York where he repeatedly captured the architectural sights of the city. Kasimir is best known for his detailed etchings, many of which were done in color, which apparently was not the norm for early 20th century etchings. The New York Times distinguished Kasimir from other etchers of the time at a contemporary exhibition in 1926 by referring to him as a “colorist.” These aquatints have a vibrancy that makes the New York of the 1920’s and 1930’s come alive. Kasimir was prolific and produced hundreds of works until his death in 1962.
We thought it was worth taking another look at Kasimir’s delightful scenes of New York. So here are six additional etchings of Luigi Kasimir’s New York City.
(click on any etching to enlarge.)
Wall Street, April 1936 Continue reading