Some Highlights Of The Late, Great, “Fast” Eddie Clarke, Guitarist Of Motörhead
The “classic” Motorhead line-up on stage circa 1980 (l-r) Phil Taylor, Eddie Clarke & Lemmy Kilmister photo: Simon Fowler
When “Fast” Eddie Clarke (October 5, 1950 – January 10, 2018), guitarist with Motörhead from 1976-1982 died from pneumonia last week at the age of 67, it closed the book on what many consider Motörhead’s greatest line-up.
In the space of a little over two years, Eddie Clarke, singer-bassist and founder Lemmy Kilmister and drummer Phil “Philthy Animal” Taylor, all died.
The trio put out albums that are considered the high points of Motörhead’s career: Motörhead (1977), Bomber (1979), Overkill (1979), Ace of Spades (1980), No Sleep ’til Hammersmith (Live 1981) and Iron Fist (1982).
After being forced out or leaving Motörhead in 1982 (stories conflict on the departure), “Fast” Eddie formed Fastway with bassist Pete Way of UFO. Continue reading →
Though there is a band called AC/DC and they are still recording and touring, the 2008 Black Ice album was the last that Malcolm Young had a hand in writing. Musically, that is what is important.
Guitar players are replaceable. Great songwriters are not.
As great as a rhythm guitar player he was, writing music is what Malcolm Young did best.
Not just writing amazing songs, but incredible memorable riffs and jaw dropping solos performed by his brother Angus. They are deceptively simple, yet undeniably catchy songs and riffs that changed rock n’ roll and influenced, and will continue to influence generations of musicians.
Proof? Listen to the magical 1977 AC/DC album Let There Be Rock.
As hard as it may be, ignore Bon Scott’s brilliant tongue in cheek lyrics and just listen to the main riff of every song.
How many rock albums have two memorable songs? Let There Be Rock has, “Go Down”, “Dog Eat Dog” ,”Let There Be Rock”, “Bad Boy Boogie”, “Problem Child”, “Overdose”, “Hell Ain’t a Bad Place to Be”, and “Whole Lotta Rosie”. Eight catchy songs, heard once – remembered forever.
Lead guitarist Angus Young, the only remaining original band member, has continued AC/DC.
I feel sorry for Angus Young. Angus certainly keeps AC/DC going not for the money, but because honestly what else is there for him to do? An entertainer, a performer has a need to perform.
However without retired bassist Cliff Williams, the unceremoniously dispatched lead singer Brian Johnson and drummer Phil Rudd and the late rhythm guitarist and main songwriter Malcolm Young, this is not AC/DC.
This is like calling Paul McCartney and his recent 2017 touring band The Beatles. It’s not and McCartney knows better.
The touring AC/DC is is basically a juggernaut of explosions, lights,and sound. Even with the great Angus Young heading them up, AC/DC are truthfully now no better than an AC/DC tribute band.
How many post-1982 songs were in AC/DC’s live set list in 2016 with Axl Rose on lead vocals? Continue reading →
30 Minutes Of Baseball Bliss As The Audio System At Yankee Stadium Fails – September 14, 2017
They say if you go to a baseball game there’s always a chance you’ll see something you’ve never seen before.
But it’s not only what I had never seen before, but what I didn’t hear. What happened Thursday, September 14, 2017 during a Yankees – Orioles game was unusual.
For the first time in my life, I attended a major league baseball game and the national anthem was not played before the start of the game. No, it wasn’t the second game of a real doubleheader (remember those?)
Not only was the national anthem not played, no sound was heard in the ballpark except the cheers of the crowd, calls of the vendors and crack of the bat. Continue reading →
Contaminated fish and micro chips
Huge supertankers on Arabian trips
Oily propaganda from the leaders’ lips
All about the future
There’s people over here people over there
Everybody’s looking for a little more air
Crossing all the borders just to take their share
Heading for the future
And we’re so abused and we’re so confused
It’s easy to believe that someone’s gonna light the fuse
Can’t happen here, can’t happen here, all that you fear they’re telling you, can’t happen here
Supersonic planes for a holiday boom
Rio de Janeiro in an afternoon
There’s people out of work but there’s people on the moon
Looking for the future
Concrete racetracks nationwide
Juggernauts are carving up the countryside
Cars by the million on a one way ride
Using up the future Continue reading →
Genius At Work – Handwritten Lyrics From Led Zeppelin, AC/DC, Paul Simon, Rush, The Beatles and Others
Bob Dylan’s handwritten lyrics to Mr. Tambourine Man
Maybe you’ve wondered; how did some of the greatest songs in the history of rock ‘n’ roll get written? When a creative artist puts pen to paper in a moment of inspiration, what does it look like?
If you are Paul McCartney or Keith Richards, sometimes melodies and words come in a dream.
McCartney’s melody for “Yesterday” was penned right after he dreamed about it. The original words he thought of were very different from the final version. Instead of,
“Yesterday, all my troubles seemed so far away. Now it looks as though they’re here to stay. Oh, I believe in yesterday.”
the words McCartney originally thought of were,
“Scrambled eggs. Oh, my baby, how I love your legs. Not as much as I love scrambled eggs. Oh, we should eat some scrambled eggs.”
MCartney obviously worked on those lyrics for what has become one of the all-time great Beatles songs, with John Lennon apocraphally changing the title to “Yesterday.” Unfortunately there is no trace of McCartney’s original handwritten lyrics for Yesterday.
Keith Richards said he recorded Satisfaction, the breakout song for The Rolling Stones while dreaming as well. Instead of a pen, Richards had a tape recorder by his bed in a hotel while on tour in 1965. In the morning he checked his portable recorder and was surprised it was at the end of the tape. He rewound it to the beginning and discovered he had laid down the main riff and chorus and the words “I Can’t Get No Satisfaction.” He had no memory of actually recording the song, but surmises he woke up while dreaming it and proceeded to record what he had dreamed and went back to sleep! Richards presented the song to the band, and singer Mick Jagger later helped with the lyrics.
Outside of dreams, words come to musicians in a variety of ways. We will not look at the story behind the songs, but the actual drafts of the lyrics to those songs.
Searching the internet for the early drafts of songs with corrections yielded few results. But this assemblage is still interesting to look at.
Jim Morrison singer and poet of The Doors wrote the haunting Riders on the Storm, and it was placed as the last song on the final album Morrison performed on, L.A. Woman. It was also the last song to be recorded for that album.
Interestingly guitarist Robbie Krieger’s name is crossed out. Well, we know Morrison didn’t write the entire melody, but Krieger quite possibly contributed some of the words. It is the only song on the album where all four band members receive writing credit.
Next, Paul Simon of Simon and Garfunkel with The Boxer from the 1970 album Bridge Over Troubled Water. Here you can see Simon’s thought process at work with most of the words never making it into the final version.
Robert Plant Finally Performs The Iconic Song “Kashmir” As A Solo Act At The Royal Albert Hall in London Tuesday March 14, 2017
Kashmir, the name itself conjures up grandiose images of the mighty Led Zeppelin at their peak of performance.
But for whatever reason former Zeppelin vocalist Robert Plant refrained from performing the song without co-writer and Zeppelin guitarist Jimmy Page, that is until Tuesday night, March 14, 2017.
In a performance with two members of Plant’s solo band The Sensational Space Shifters, Plant joined famous violinist Nigel Kennedy at the Royal Albert Hall in London..
For the first time since 2007 when Led Zeppelin reunited at the O2 and played Kashmir, Plant decided it was time to play the song on his own. Every other live performance of Kashmir by Plant had been alongside Jimmy Page, whether it was in the 1990’s on the Page/Plant tour or with Led Zeppelin in the 1970’s.
With a full orchestra backing Plant, he starts off Kashmir in a dirge-like manner. You immediately think he has turned Kashmir into a slow whispered lament. Finally after the initial introduction to the haunting first phrase of lyrics, Plant and the band kick off a powerful performance of a revised version of Kashmir.
The Girls From The Chorus of Always You, A 1920 Musical Comedy
There’s really no reason to show this photograph other than it portrays an eternal theme – trying to get your big break on Broadway. Most chorus girls toil in anonymity for years without finding fame and fortune.
Unfortunately there is no identification on the back of the photo, other than the play name.
Always You, a musical comedy in two acts ran from January 5 until February 28, 1920, for a total of 66 performances.
Checking the cast through the IBDB the ensemble (chorus girls) include: Rose Cardiff, Virginia Clark, Elinore Cullen, Lillian Held, Irma Marwick, Helen Neff, Marietta O’Brien, Mildred Rowland, Emily Russ, Memphis Russell, Marvee Snow and Beatrice Summers.
Which six are pictured?
I’m not sure who is who, but I believe Memphis Russell is third from right and another one of the women is Marietta O’Brien (second from left) who has an interesting story.
After Always You, Marietta O’Brien appeared in a number of musical plays and revues. She also posed nude for famous Ziegfeld Girl photographer Alfred Cheney Johnston. In 1928 O’Brien married Ned Jakobs, the producer of the play she was starring in, The Houseboat On The Styx.
Gruhak? Yes Gruhak From Croatia. An Amazing Rock ‘n’ Roll Cover Band
If Gruhak ever does a concert in the United States, I’m going to see it.
Since the 1970s I’ve seen over 300 concerts. Among them: AC/DC, Deep Purple, Paul McCartney, Motörhead, The Rolling Stones, Metallica, The Clash, Kiss, Iron Maiden, Rush and countless other classic bands.
Sometimes the shows have been great, other times it’s been a disappointment. Especially now because as the older the bands get, the harder it is for them to perform live. In the past 10 years I’ve mostly stopped going to shows rather than see my rock ‘n’ roll illusions shattered.
Enter the tribute or cover band, that in some cases can deliver a performance that sounds better than the band they are copying. Cover and tribute bands are a dime a dozen, many of them are not very good and they play the bar circuit. There are a handful of bands that can make a full time living at it and have developed their own fan following.
It is rare that there is a band that can have the energy, the vibe and the talent to cover multiple groups and do it well.
That fits the description of Gruhak, a five piece band from Dubrovnik, Croatia. The word “gruhak” means a loud and obtrusive person.
Rather than go on and on about their talent, have a look and a listen.
First up – The Who – We Won’t Get Fooled Again.
Now performing in a totally different style, Gruhak takes on The Doors with Love Me Two Times.
It’s not that Gruhak sound like The Doors. It’s not an imitation, but an interpretation and it’s a damned good one. Gruhak’s singer Boris Kosovic has Jim Morrison’s intonations and the band sounds more like the Doors, than the band that Doors members Ray Manzarek and Robbie Krieger put together a dozen years ago with Ian Astbury, formerly of The Cult, on vocals.
As far as Gruhak’s version of We Won’t Get Fooled Again, it’s as if we’re hearing Roger Daltrey and company in their prime. The other musicians in Gruhak are equally accomplished. Continue reading →
An Unlikely Trio – Alice Cooper, Ethel Kennedy and Andy Williams at The Rainbow Room – 1974
An odd assortment of celebrities gathered together at the Rainbow Room in New York on October 16 1974. Rocker Alice Cooper (r) sits with Ethel Kennedy widow of Robert Kennedy, as singer Andy Williams stands between them.
Andy Williams is smiling in spite of having been robbed the day before at the Sherry-Netherland Hotel. While Williams was showering, a maid let a woman into the room who claimed she was Williams’s wife. Among the items the woman stole were Williams’s checkbook, four tuxedos and two leather jackets. Continue reading →
A Look Back At The 1970s With Great Funky Songs Performed Live
The 1970s music scene. It wasn’t just the hairstyles, costumes or clothes. It wasn’t just the sheer magnitude of the musicianship. It wasn’t just that the songs were actually saying something. It wasn’t that these bands had multi-talented singer-songwriters.
It was a combination of these things and something else. There was something intangible about the 1970s: that great music like this was written, performed live and recorded for posterity. It makes me feel really sorry for the 2016 generation: kids who have not discovered this music and think that Pitbull, Selena Gomez, Justin Bieber or Kanye West are the greatest.
As with all good music, appreciating it meant you were colorblind. You couldn’t care less if the band was white, black yellow or polka dotted. All that mattered was that it was great music.
Here are 5 great funky songs from the 70s performed live.
Let’s start with one of the most underappreciated musicians of all-time, Billy Preston (1946-2006). Preston, known by many music fans for playing with the Beatles on the Get Back sessions, had his own successful solo career that never reached the heights it should have. In this ebullient performance, Billy Preston delvers the goods and belts out Will It Go Round In Circles on The Midnight Special in 1973. Will afros ever come back? Preston and his drummer make them look cool.
There is not much more that can be said about Stevie Wonder that hasn’t already been said. He’s one of the greatest songwriters and performers of all-time. Most fans of Led Zeppelin know that Stevie’s 1972 song Superstition heavily influenced Zeppelin’s 1975 hit Trampled Under Foot. The Doobie Brothers 1973 Long Train Running also bears a striking similarity as all three songs have a similar main hook.
On the LP recording, Stevie Wonder played clavinet, drums, and Moog bass! Here live in 1973 on the show, Sesame Street (yes, the children’s PBS show Sesame Street!) is Stevie Wonder with his phenomenal live band performing Superstition. The whole band is fantastic and the mix is great, but take note of drummer Ollie Brown who keeps perfect time while making it all look too easy.