Category Archives: Movies

You May Be Surprised At What These 10 Movie Stars Looked Like As Children

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Can You Recognize These 10 Movie Stars From When They Were Young?

Star #1 born 1962

Some adults look very similar to the way they looked as children. Others look drastically different.

Actors are no different than anyone else. Some look the same as they did when they were kids. Others you would never recognize. Here are 10 movie stars from the golden age of film up to the present.

We’ll give you their birth year as a clue.

Even if you’re a big movie buff this will be a challenging task.

How many stars can you recognize?

Click on any photo to get a larger view.

Answers are below photo #10.

Star # 2 born 1914

Star #3 born 1887

Star #4 born 1973

Continue reading →

Classic Hollywood #69 – The Barrymore Family

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The Barrymore Family Reunion – 1932

Here is the early 20th century’s royal family of acting, the Barrymore’s, Lionel, Ethel and John.

Each a star in their own right, first on the stage and later in films. Yet the trio only appeared in one movie together, Rasputin and the Empress (1932).

The Clan Barrymore

When John, Ethel and Lionel Barrymore came together to play in M-G-M’s “Rasputin”, it made possible the first reunion of the entire family. Above photo shows the Barrymore reunion in Hollywood. Left to right- front row: Mrs. Lionel Barrymore (Irene Fenwick), holding John Blythe, son of John Barrymore; Lionel Barrymore, Ethel Barrymore, Mrs. John Barrymore (Dolores Costello) with Ethel Dolores Barrymore, her daughter; and Ethel Barrymore Colt, daughter of Ethel Barrymore. In rear are left to right: John Barrymore Colt (left) and his brother, Samuel Colt, with John Barrymore standing between the two. credit: Acme  9/20/32

This photograph was taken at John Barrymore’s home in early September 1932.

Interestingly before this film, the three actors had never even appeared together in the same play.

Rasputin and the Empress as the film was re-titled, marked Ethel Barrymore’s (1879-1959) first talking film. Her stage popularity was such that she wouldn’t appear in another film until 1944 (None But The Lonely Heart). After 1944 Ethel would appear regularly in motion pictures, making 20 more movies until her retirement in 1957.

After MGM signed Ethel Barrymore to appear in Rasputin, brother Lionel Barrymore (1878-1954) was asked to comment and said, “Great! And tell me what poor benighted and unlucky individual is to direct this opus in which all three of us are to act together?” Continue reading →

Incredible Film Footage Of Yankee Stadium On Opening Day 1931 With Sound!

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The Sights & Sounds Of Yankee Stadium 1931 – Yankees vs. Red Sox

What follows is a rare and amazing 14 minutes of film.

Yankee Stadium on opening day April 14, 1931. Yankees versus the Red Sox. Happenings before and during the game.

What makes it so unusual is that the film crew was experimenting with syncing the sound to the action. So there are microphones recording what was being said or the resonant sounds of baseball. The players don’t quite know what to say when asked to speak. The natural sounds of the ballpark are just so different from today.

Batting practice with Babe Ruth and Lou Gehrig. Mayor Jimmy Walker throws out the first ball. An IRT train passes and stops beyond the left field bleachers. Everyone in the stands is well dressed as you’d expect. Large signs remind everyone that “Betting is prohibited.”

The lack of technology is pure pleasure. The advertising is on billboards same as now, but no ads or deafening music being blasted from speakers.  Your visual senses are not assaulted by a jumbotron. Fans look at the field, no distractions.

No P.A. system. A guy with a megaphone comes out and announces each team’s battery – a term rarely used today – for pitcher and catcher.

Then there is not only a patriotic marching band entertaining fans, but all the players from both teams march along with the band.

The game itself is great to see, but the things you notice while the game is going on seem so foreign to a modern viewing audience. Continue reading →

More Maude Fealy (And Her Actress Mother, Margaret Fealy)

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Maude Fealy “The Most Beautiful Woman In the World” In An Atypical Pose

One of the most read stories we have done was about Maude Fealy the stage star and film actress who had a career that spanned the first half of the 20th century.

Given the lack of fact based information available on the internet about Fealy we’ve provided another short page devoted to this forgotten star.

This unusual photograph entitled The Coiffure no. 3 captures Maude Fealy in a very flattering pose.

The Coiffure no. 3 was taken by Rudolf Eickemeyer. If there were other photographs from this sitting indicated by the fact that this is called number three, I have not come across any of them.

In 1903 the Figaro Illustre of Paris held a contest and offered a prize for the woman who represented the “perfect type of beautiful womanhood.” Photographer Burr McIntosh submitted a photograph he had taken of Maude Fealy. A committee of experts pored over 30,000 entries and decided Maude Fealy was the most beautiful woman in the world.  Burr McIntosh won the prize for submitting the photo. Fealy wound up with the accolades.

Besides being a famous photographer, Burr McIntosh was the publisher of a popular magazine  in the early part of the 20th century, mostly featuring theatrical stars. In February 1904 Maude Fealy graced the Valentine Number of The Burr McIntosh Monthly. The illustration above was drawn by Clark Hobart in 1903.

When we first wrote about Maude Fealy there was uncertainty as to her exact date and year of birth. That has yet to be resolved, though we can now narrow Maude’s birth year to prior to 1884. Maude’s papers housed in the Denver Public Library give a likely birth date of March 3, 1881.

Through diligent research we have established two previous unknown facts regarding Maude’s domineering actress-mother Margaret: the date of her marriage and divorce to Maude’s father. Continue reading →

Classic Hollywood #68 – Jayne Mansfield As A Brunette

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So What Did Jayne Mansfield Look Like As Brunette?

Along with Marilyn Monroe, Jean Harlow and Brigitte Bardot, Jayne Mansfield (1933-1967) is one of the Hollywood stars who usually has the word “blonde” inserted before the word bombshell.

Mansfield’s hair was dyed blonde for the majority of her film career, which may leave you wondering what did she look like with dark hair?

Here is the answer.

Jayne dyed her hair dark for her role in the 1960 film The Challenge (re-titled in the U.S as It Takes A Thief.)

While the photo above is not Jayne Mansfield’s natural hair color, it is a startling contrast to the thousands of published photos of her as a blonde.

In the early 1950s Jayne studied acting at Southern Methodist University. She recalled in a1957 interview, “I was a brunette then.  And covered up. Men whistled at me. But that’s all. I decided my body was an asset and I’d use it.” Continue reading →

Searching Here In Allentown- At The Book & Paper Show With Postcards, Antique Advertising & A Real Black Bear

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Things You Will Find At The Allentown Book & Paper Show

On a cloudless Saturday at eight forty in the morning, a line of about 200 eager men and women snaked its way around Agricultural Hall at the Allentown Fairgrounds in Allentown, PA.

They were anxiously awaiting the April 21 opening of the two day Allentown Book and Paper Show, an all encompassing smorgasbord of anything and everything collectible that has a relationship to paper.

On  the show floor a few minutes before 9:00 am,, show promoter Sean Klutinoty announced to the 170 dealers over the public address system, that the anxious crowd would soon be admitted. This was the cue for the dealers to return to their tables. They had set up their stalls the day before but quite a few dealers were scurrying about making some last minute purchases from one  another.

Searching through hundreds of thousands of postcards

At nine sharp, customers started filing in. Like bees who fly precise routes to pollinate flowers, the mad dash began for people to get to their favorite dealer. For those who do not have a special dealer to go to, there is a rush to visit each booth methodically row by row.

Each patron is searching for something particular and they ask dealers if they possess whatever special item they seek, before the competition, real or imagined, swoops in and beats them to it.

Another aisle of postcard row

If it made of paper and you cannot find it in Allentown that is the exception.

Unlike a book show where you have books and some ephemera, at a paper show there is literally no limit on what antiquity or modern collectible you may find. Continue reading →

Classic Hollywood #67 – Chico Marx, Businessman & Gambler

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Chico Marx Entertaining The Troops During World War II

U.S. Naval Air Station, Wold-Chamberlain Airport, Minneapolis, MN: Chico Marx was flying high back stage in the Orpheum Theater when three Aviation Cadets and one WAVE from the U.S. Naval Air Station called on him to make arrangements for his appearance at the Station Recreation Hall. Chico is bringing his entire show to the Air Station Tuesday to entertain the Naval Personnel. The Cadets are Lowell H. Conrow, Richard W. Hildebrand and Donald D. Bosold. The WAVE is Ensign Mary J. Withrow, USNR. Photo: U.S. Navy

When author Charlotte Chandler wrote her entertaining book about Groucho Marx, Hello I Must Be Going (Doubleday, 1978), it was mentioned by Groucho’s friends that someone should write or compile a book about Groucho’s eldest brother, Chico Marx.

Eventually a book was written about Chico by his daughter Maxine Marx. As interesting as that book is, it was not the sort of book that captured Chico’s flamboyant and incredible life.

Maxine had left out a good deal of the salacious parts of her father’s life by purposeful omission. Many other anecdotes were left out of her book simply because Maxine was unaware of them. There were hundreds of great stories known and shared only by show business veterans and insiders who Chico associated with, that went untold. Now those stories are lost forever, as all of Chico’s friends, contemporaries and acquaintances are long dead.

What is widely known is that Chico was a notorious womanizer and gambler who went through money as quickly as he made it or borrowed it.

Groucho famously said, “You know, somebody asked Chico how much money he lost gambling, and he said, ‘Find out how much money Harpo has. That’s how much money I lost.'”

The brothers had to bail Chico out countless times. There were even a couple of instances where had they not paid Chico’s debts, the gamblers he owed money to would have killed him.

Harpo wrote in Harpo Speaks! (Bernard Geis Associates, 1961) of his older brother when they were both teenagers, “Chico was a devout believer in the maxim, ‘Share and share alike.’ The way he shared my possessions was to hock them as fast as he got his hands on them, and then give the pawn tickets to me as my share.” Continue reading →

This Is The Only Color Film Footage Of Clara Bow The “It” Girl (And What Exactly Is “It”?)

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Clara Bow The “It” Girl Made Only One Film In Color, and This One Minute Fragment Is All That That Survives

(And What Exactly is “It”)

Most movie fans never saw Clara Bow’s beautiful red hair except when illustrated on magazine covers. All but one of her films was made in black and white. Her red hair and Brooklyn childhood earned her, her original nickname “The Brooklyn Bonfire.”

So seeing the primitive color film clip below is a pleasant treat for classic movie fans.

With the exception of one film, Red Hair” which is now considered lost, this one minute fragment is all that survives of Clara Bow filmed in color.

If the last minute of Red Hair could be found we would see Clara Bow in as little clothing as the censors would allow.

So what exactly is “It”? Writer Elinor Glin wrote a magazine article called “It.” and a movie soon followed in 1927 starring Clara Bow. The sobriquet The “It Girl” was immediately and permanently attached to Clara Bow.

“Either you have “It” or you don’t have” It.”  “It” is sex appeal definitely, but much more than that.

In a 1927 interview, writer Glyn said you must have ALL of the following qualities: Continue reading →

“Good Acting Is Like Good Love-Making” – Old Time Movie Stars Reflect On Acting

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 Actors Talking About Acting

Heartbreak Pair in New Air Epic – William Holden reaches new stellar heights as a flying cadet whose career is temporarily shattered through his love for Veronica Lake in Paramount’s “I Wanted Wings” an Arthur Hornblow, Jr., production based on the Army Air Corps training and tactics. Blonde and sultry newcomer, Miss Lake, plays menace in piece. photo – Paramount studios

William Holden – “The best actors I know have no style but that of genuine professionalism. They act each role according to the script. And if they do have a style, it is so much a part of their personality it can’t be noticed.” (Atlanta Constitution April 22, 1956)

If you hear people lament that today’s movie stars don’t stack up to the old stars, there are probably many reasons for the lack of charisma or star power today. Regardless of their approach to acting, the old-time Hollywood stars all had one thing in common: they came through the studio system, where they were trained and “groomed” to be and act like movie stars. How each actor accomplished that varied from actor to actor.

Whatever techniques they used to develop their acting style; “The Method,” “Chekhov,” or simply showing up and knowing your lines, movie stars usually could provide philosophy or insight into their craft when being interviewed by the press. Whether they had honed their skills on the legitimate stage or come straight from a farm, to be a star you had to learn and understand something about acting.

Here are twelve old time movie stars expressing their views, sometimes simply, other times with great insight about acting.

Veronica Lake – “I’m no great actress. I just had a movie job dumped into my lap, the public seemed to like me, and that’s all there was to it.”  (Wide World Features May 3, 1942)

Rod Steiger – “Good acting is like good love-making. Leave yourself alone and explore. Do it. Don’t watch yourself do it. Don’t think about yourself doing it. You just go from moment to moment. But don’t take anything for granted either, especially not in acting. That’s when you get your ass kicked.” (Los Angeles Times  September 15, 1994)

Yul Bryner – “I’m not of the can-kicking, shovel-carrying, ear-scratching, torn T-shirt school of acting. There are very few real men in the movies these days. Yet being a real man is the most important quality an actor can offer on the screen.”  (Detroit Free Press April 27, 1958)

Paul Muni – “Acting is a scientific art. It’s a matter of trial and error. You try out your effects like a man who is experimenting on a new chemical formula. I enjoy the experimenting.”  (Boston Globe Feb. 6, 1949)

Barbara Stanwyck on reluctantly accepting the role of the “no good” Phyllis Dietrichson in Double Indemnity – “Once I said yes I was awfully glad. During the making of it Fred (MacMurray) would go to the rushes. I remember once the next day he said, ‘You’re not acting, you’re enjoying it.’ And I remember saying ,’Fred, really, how was I?’  And very candidly he looked at me and said, ‘I don’t know about you- but I was wonderful!’ And that was such a true remark. Actors only look at themselves.”  (Los Angeles Times April 5, 1987)

Spencer Tracy – “I’ve always played the same character. Larry Olivier says the way to act is learn your lines and get on with it. I’m Spencer Tracy with some deference to the character. When a person says he’s an actor – he’s a personality. The whole idea is to show your personality. There are people who are much better technically, but who cares?  Nobody cares.” (Los Angeles Times  November 18, 1962) Continue reading →

Babe Ruth & Gary Cooper Welcome Visitors On The Set of The Pride Of The Yankees

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Babe Ruth and Gary Cooper Get A Visit From Former Yankee Bob Meusel & His Daughter

When Babe Ruth played himself in the classic film The Pride of The Yankees (1942) he had not played for seven years. Since his retirement, Ruth’s weight had ballooned to 270 pounds. The Babe wanted to look good for the film, not that he would ever look as svelte as Gary Cooper, starring as Babe’s teammate Lou Gehrig, but at least he tried.

Before filming began Babe went on a diet and shed over 47 pounds to look more like he did in his playing days.

Some former Yankee teammates appeared for short cameos including Bill Dickey, Mark Koenig and Bob Meusel. Continue reading →